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Experimental Music, Listenability And Progress (Much To Say)

MUSIC Posted: December 22, 2016 10:23 am

“The history of the French salons in the 19th century, and of the early reactions to musical and literary modernism, has made people aware of how easy it is to miss the true creative product, and to exalt the dead and the derivative in its stead. The safest procedure for the anxious bureaucrat is to subsidize music that is difficult, unlikely to be popular, even repugnant to the ordinary musical ear. Then one is sure to be praised for one’s advanced taste and up-to-date understanding. Besides, if a work of music is easy to assimilate and clearly destined to be popular it does not need a subsidy in any case.”

MUSIC Published: 12.20.16

Read the story in FutureSymphony Published: 12.20.16

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