recommendations: December 2009 Archives

Carla Bley, Steve Swallow, The Partyka Brass Quintet, Carla's Christmas Carols (Watt). Bley arranges nine classic carols with tenderness, wit, harmonic brilliance, wide dynamic range and a wry sense of nostalgia. She adds two of her own pieces, the gorgeous "Jesus Maria" and "Hell's Bells", a joyous concoction on "I Got Rhythm" changes. Swallow's bass work, as always, is perfection. Prepare to be captivated by the brass ensemble and by the solos of trombonist Adrian Mears, trumpeter Axel Schlosser and hornist Christine Chapman.

Chris Potter, Steve Wilson, Terrell Stafford, Coming Together (Inarhyme). This was to have been the recording debut in 2005 of the young tenor saxophonist Brendan Romaneck. That year he died at 24 in a traffic accident. In his memory, saxophonists Potter and Wilson, trumpeter Stafford and a fine rhythm section completed the project. Eight of the compositions are Romaneck's. Three are standard songs. Potter is compelling with a pianoless trio on "My Shining Hour." Wilson and Stafford shine on Romaneck's daring "Minion." Pianist Keith Javors, bassist Delbert Felix and drummer John Davis are strong throughout.

Miles Davis, Kind of Blue (Columbia). Okay, this is the zillionth reissue, and it's not the first to include alternate takes, false starts or a second CD of performances by the classic Davis sextet. The difference? Columbia got the sound right - no forced reverberation, echo, clipping, compression or other digital-age engineering cuteness. This is how the music should sound. Nice packaging, too, retaining the original cover on a sturdy three-panel fold-out box. If you don't own Kind of Blue, this is the one. If you do, the improved sonics are worth considering.

Woody Herman, Live in '64 (Jazz Icons). This captures Herman on British television long after he stopped naming or numbering his Herds. It was one his most exciting bands, driven by drummer Jake Hanna and bassist Chuck Andrus. Upstate New York terrors Joe Romano and Sal Nistico are fascinating in their contrasting tenor sax styles. Two underrated trumpet soloists, Paul Fontaine and Billy Hunt, stand out, as does trombonist Phil Wilson, a master of high-note eloquence. But it's the tout ensemble that grabs you. Woody is charming in his set-piece introductions. BBC sound and video quality are good.

Helene La Faro-Fernández, Jade Visions: The Life and Music of Scott La Faro (North Texas). There will be other books about the most important young bassist of the last half of the twentieth century. Their authors will mine this invaluable first biography. The insight La Faro's sister gives into his character, musicality and determination could come only from someone so close. But the book is not just memories. La Faro-Fernández conducted dozens of interviews and did meticulous research to create a full portrait of the man who in a tragically short career changed jazz bass playing.