August 14, 2008


I've been calling him the Gasbag, but Thomas Frank has come up with another description for him -- the best I've read anywhere: John McCain is "a hood ornament on a hit-and-run machine."

Frank writes in his weekly Wall Street Journal column:

The man no longer stands for anything. He has transformed himself from a maverick into a cipher, a hood ornament on a hit-and-run machine. He has no more political content now than the constantly changing cast of cynical right-wingers aboard his campaign plane.

Did the Hood Ornament ever stand for anything? I don't think so, unless it was the BananaRepublic. Was he ever a maverick? McMaverick is more like it. But never mind. The headline on Frank's column — "The Audacity of Nope" — deserves a tip of the hat, too.

(Crossposted at HuffPo)

August 14, 2008 8:19 AM | | Comments (0)
August 7, 2008









Aug. 12 — Did someone say war profiteers? Check out the top 25 and this private army.

August 7, 2008 8:52 AM | | Comments (0)
August 4, 2008

The Gasbag's latest McBullshit gets a review called "Changing Lanes" from Elizabeth Kolbert in this week's New Yorker. She notes that "he's opted out of truth altogether." Really. As if the hype for his so-called "straight-talking days" was ever credible in the first place.

August 4, 2008 9:36 AM | | Comments (0)
July 29, 2008

I've been waiting for Q&A to post a transcript of the Chris Hedges interview on Sunday night. But it's been two days already. Nada. So click the link and watch the video. It's stunning. [Aug. 12 — Finally, the posted transcript.]

The reason for the interview is publication of his latest book, "Collateral Damage: America's War Against Iraqi Civilians," but he talks about many other subjects as well with the kind of moral insight rarely heard on television.

Hedges laments the decline of the mainstream press, points out that elite TV journalists (the late sainted Tim Russert not excepted) are mere courtiers to the political establishment, and speaks of the reason for his departure from The New York Times.

He describes our democratic system as corrupted ("We live in a corporate state." [It's] "a coup d'état in slow motion.") and the election campaign as deeply flawed ("You can't run for president of this country unless you allow yourself to become a commercialized product.").

Asked whom he'll vote for, he says, "I'm going to vote for Nader. Part of it is a moral issue. I can't vote for anybody who doesn't call for an immediate end to the war in Iraq."

What makes the interview so striking is not that Hedges's beliefs are unique. Many others have expressed them -- Gore Vidal, for one, and perhaps with greater brilliance. It is his willingness to act on those beliefs at no little cost that makes Hedges are rare one.

(Crossposted at HuffPo)

July 29, 2008 8:30 AM | | Comments (0)
July 21, 2008

See this.

Postscript: July 30 -- The Gasbag Express, aka the Low-Road Express? Of course. As today's NYT editorial notes, "...it is hard to imagine a worse role model than the one Mr. McCain seems to be adopting: President Bush." (Objection: seems?) Which brings our Calvin Trillin out of the Straight Up woodwork.

BUSH'S PRESIDENTIAL PRAYER

Hear me, O Father, in my need,
I am universally cursed;
Fix the election, make McCain succeed
So I'll no longer be reckoned the worst.

-- Leon Freilich

(The S/U staff apologizes deeply for referring to the BananaRepublic's lameduck Bullshitter-in-Chief by name.)

July 21, 2008 8:10 AM | | Comments (0)

About

...Straight Up The agenda is just what it says: news of arts, media & culture delivered with attitude. Or as Rock Hudson once said: "Man is the only animal clever enough to build the Empire State Building and stupid enough to jump off it."

...Books 'n Stuff I'm the author of "A Talent for Trouble," the biography of Hollywood director William Wyler. Putnam published it in hardcover.A TALENT FOR TROUBLE [G.P. Putnam Sons]

It is now in paperback (Da Capo Press). A TALENT FOR TROUBLE [Da Capo Press]

I've also co-written "Cut Up or Shut Up," experimental fiction, with Carl Weissner and Jurgen Ploog (with a "tickertape" intro by William S. Burroughs). CUT UP OR SHUT  UP [Agentzia Editions, Paris]



...My Checkered Career Writing of mine has appeared in "little magazines," among them VDRSVP, Ricochet, Unmuzzled Ox, San Francisco Earthquake and John Bryan's Notes From Underground, as well as in Partisan Review, The New York Times Book Review, Trans-Atlantik and The Journal of Film History.

...Jan Herman When not listening to Bach or Cuban jazz pianist Chucho Valdes, or dancing to salsa, I like to play jazz piano -- but only in the privacy of my own mind.

Contact me Click here to send me an email...

Archives

Archives: 1321 entries and counting

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
HERMAN WOUK'S LATEST 
It's hard to say which comes off worse in Herman Wouk's latest novel, his first in a decade: the U.S. Congress or the American press. "A Hole in Texas" offers the choice between two emblematic stereotypes: a red-faced opportunist who heads the House Armed Services Committee and a mustachioed investigative reporter for the Washington Post.
more picks

Sites to See

Find recent content on the main index or look in the archives to find all content.

AJ Ads

Introducing
AJ Arts Blog Ads

Now you can reach the most discerning arts blog readers on the internet. Target individual blogs or topics in the ArtsJournal ad network.

Advertise Here

AJ Blogs

AJBlogCentral | rss

culture
About Last Night
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
CultureGulf
Rebuilding Gulf Culture after Katrina
Dewey21C
Richard Kessler on arts education
diacritical
Douglas McLennan's blog
Flyover
Art from the American Outback
Life's a Pitch
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
Rockwell Matters
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude

dance
Foot in Mouth
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...

jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...

media
Out There
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...

classical music
The Future of Classical Music?
Greg Sandow performs a book-in-progress
On the Record
Exploring Orchestras w/ Henry Fogel
Overflow
Harvey Sachs on music, and various digressions
PostClassic
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds

publishing
book/daddy
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera

theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off
lies like truth
Chloe Veltman on how culture will save the world
Stage Write
Elizabeth Zimmer on time-based art forms

visual
Aesthetic Grounds
Public Art, Public Space
Artopia
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog
Creative Commons License
This weblog is licensed under a Creative Commons License.