Rifftides

My attitude is never to be satisfied. Never enough. Never. Art is dangerous. It is one of the attractions: when it ceases to be dangerous you don't want it. Critics have their purposes, and they're supposed to do what they do, but sometimes they get a little carried away with what they think someone should have done, rather than concerning themselves with what they did. … [Read more...]

Until recently, admirers of the great trumpeter Clifford Brown heard him speak only a few words on the album The Beginning and the End. Recently, however, a YouTube contributor who identifies herself as Nespasisi posted a segment of Brown being interviewed by Willis Conover of The Voice of America. Nespasisi explains that she found the fragment “on one of my dusty old cassette tapes.” The discussion was shortly before Brown died in an automobile accident on June 27, 1956, four months short of … [Read more...]

Rudy Royston, 303, (Greenleaf Music) Since his emergence from Denver (area code 303) nearly a decade ago, Royston’s drumming has graced bands led by Dave Douglas, Bill Frisell, JD Allen, Tom Harrell and other leaders in 21st century jazz. With 303, Royston becomes a leader himself. As he has since he first attracted attention playing for Denver trumpeter Ron Miles, Royston is notable not only for the dynamics of his technique but for empathy with his fellow musicians and the reactive support … [Read more...]

The announcement none of us wanted to hear came early this afternoon from Tina Pelikan of ECM Records. It is with deep sorrow that we announce that Charlie Haden, born August 6, 1937 in Shenandoah, Iowa, passed away today at 10:11 Pacific time in Los Angeles after a prolonged illness. Ruth Cameron, his wife of 30 years, and his children Josh Haden, Tanya Haden, Rachel Haden and Petra Haden were all by his side. Every note Charlie Haden played came from conviction. His sincerity … [Read more...]

While we’re at it, let’s watch the National Endowment for the Arts video made when Haden became a 2012 NEA Jazz Master. … [Read more...]

Following the death of Horace Silver on June 18, Bill Kirchner called my attention to trumpeter John McNeil’s remembrance of his time in Silver’s quintet in the late 1970s. It appears on the New Music Box website. McNeil’s essay gives insights into traits and practices that formed Silver’s leadership qualities. For one thing, he insisted that his sidemen be on time. If they weren’t, he fined them twenty-five dollars. … [Read more...]

The latest post on Steve Cerra’s Jazz Profiles blog is about S. Duncan Reid’s biography of Cal Tjader (1925-1982). The subtitle of Reid’s book identifies Tjader as “The Man Who Revolutionized Latin Jazz.” There may be those who assert that Dizzy Gillespie, Machito and Tito Puente should get at least equal credit as revolutionaries in the field, but there is no question that Tjader’s pioneering attracted huge attention to Latin idioms. He was as successful in mainstream as in Latin jazz. Among … [Read more...]

On his Jazz Northwest program this Sunday, Jim Wilke (pictured) will play highlights of the Seattle Repertory Jazz Orchestra’s recent concert of the music of Stan Kenton and Gerry Mulligan. Jim put on his beret of a skilled audio engineer and recorded the June 22 concert. From Jim’s Jazz Northwest announcement: The concert includes music composed by Stan Kenton and Gerry Mulligan and played and recorded by both bands. Baritone saxophonist Bill Ramsay is featured prominently in Gerry … [Read more...]

Today, the United States of America is celebrating the 238th anniversary of its independence. Rifftides observes the 4th of July with two versions of the song that many Americans wish was the national anthem. Pianist Clare Fischer arranged the first for his 1967 album Songs For Rainy Day Lovers. The second version is by tenor saxophonist Al Cohn with Barry Harris, piano; Sam Jones, bass; and Leroy Williams, drums. footnote: Al Cohn recorded “America The Beautiful” in 1976 as part of his … [Read more...]

Now that wilting temperatures are here—at least in much of the northern hemisphere—Rifftides reader Larry Peterson suggests that Sonny Clark’s “Cool Struttin’” can bring welcome relief. Clark was a pianist who in a tragically short career attracted a substantial audience. His command of the keyboard and personalization of the style that he developed with Bud Powell as his initial model also earned him the esteem of his peers. Bill Evans created an anagram of Clark’s name as the title … [Read more...]

Joe Segal, who last week was named a 2015 National Endowment for the Arts Jazz Master, has been at the heart of jazz in Chicago since the early bebop era. He began presenting jazz events following World War Two when he was attending Roosevelt College on the GI Bill. It was not unusual for name musicians, including Lester Young, Charlie Parker and Sonny Rollins, to join local players in Segal’s afternoon sessions. When the Roosevelt sessions ended in 1957, Segal moved his entrepreneurial … [Read more...]

This is a good year for jazz saxophonists from Memphis, Tennessee. Like his fellow Memphian George Coleman, who is three years older, Charles Lloyd (born 1938) has been named a 2015 Jazz Master of the National Endowment for the Arts. Along with Coleman, pianist-composer-arranger Carla Bley and Chicago club owner and entrepreneur Joe Segal, Lloyd will receive his NEA Jazz Master award next April in a Jazz At Lincoln Center ceremony in New York. Among Memphis musicians who mentored and … [Read more...]

Tenor saxophonist George Coleman is one of four 2015 National Endowment for the Arts Jazz Masters named this week. He, Carla Bley, Charles Lloyd and Chicago’s Jazz Showcase impresario Joe Segal will be inducted in a ceremony next spring in New York. In our previous post, Rifftides presented Ms. Bley in performance. As a 17-year-old alto saxophonist in 1952, Coleman launched his professional career impressively in his native Memphis, Tennessee, landing a gig with bluesman B.B. King. While … [Read more...]

The National Endowment for the Arts has announced next year’s NEA Jazz Masters. They are composer, pianist, arranger and bandleader Carla Bley (pictured); saxophonists George Coleman and Charles Lloyd; and—for jazz advocacy—Joe Segal, whose Jazz Showcase in Chicago has presented the music for more than 60 years. They will receive their awards at Lincoln Center in New York City on April 20, 2015, during Jazz Appreciation Month.How better to recognize them now than to share memorable … [Read more...]

With considerable help from the Seattle Repertory Jazz Orchestra, Stan Kenton and Gerry Mulligan packed two halls over the weekend. Yesterday the SRJO played at the Kirkland Performance Center across Lake Washington from Seattle, the night before at the Nordstrom Recital Hall in downtown Seattle. The band is co-led by drummer Clarence Acox and saxophonist Michael Brockman. With one exception, everything they played was associated with Kenton and Mulligan. SRJO: Randy Halberstadt, piano; Phil … [Read more...]

It has been too long since we checked to see what Darcy James Argue and his band of young New Yorkers—The Secret Society—have been up to. When we first took notice of Argue and his crew, they were indeed still pretty much a secret. Since then, the band has won awards in several polls. Argue, a Canadian who transplanted from Vancouver to New York, has been singled out for his compositions and arrangements. College and high school jazz and stage bands interested in performing music of … [Read more...]

Horace Silver, whom we lost yesterday, believed that worthwhile music arises from feeling. He thought that to be true to himself, he had a responsibility not to let fashion or artifice deflect him from what his feelings dictated. Fortunately for him, and for us, he had the skill and the imagination to transmit his feelings through his pen and his fingers. By the early 1950s, the top flight of modern jazz musicians had absorbed the theories and methods of bebop. Many were at the outer limits of … [Read more...]

Word has just come in that Horace Silver died today at the age of 85. For details, see Peter Keepnews’ obituary of Silver in The New York Times. Tomorrow, we will have reflections on Silver’s career and importance to music. … [Read more...]

It is sad to hear of the recent deaths of Aaron Sachs and Jimmy Scott. Sachs was a gifted clarinetist and tenor saxophonist who never became as well known as many of his contemporaries despite yeoman work in bands led by Van Alexander, Red Norvo, Benny Goodman, Earl Hines, Benny Goodman, Tom Talbert and Buddy Rich, among others. In the 1960she became a stalwart in Latin jazz, playing for Machito, Tito Puente, and Tito Rodriguez. Sachs would have been 91 on the 4th of July. I recently saw him … [Read more...]