Beyond repair? On the loss of structural integrity …

geodesic dome and fuller

There is an arts story that has been nagging at me the past couple months. It's the recent announcement of the revised plans for the NYC Performing Arts Center planned for the former World Trade Center site. The plan for an arts center at Ground Zero began more than ten years ago. At first the center was to house four arts organizations but three of the four were tapped out several years ago. Only one (the Joyce Theater) still remained as of last year. The project has never really gotten off the ground and plans have changed so many times I … [Read more...]

Taming our inner speculators …

speculators

A few days ago, while doing research, an article caught my attention. It was written in 1936 and it was about the birth of Theatre Arts magazine twenty years earlier (in 1916). Here's how the founding of the magazine is described in the article:*** For it began in revolt against musty tradition, its first issue proclaiming a credo that still rings in the ear: ‘To help conserve and develop creative impulse in the American theatre; to provide a permanent record of American dramatic art in its formative period; to hasten the day when the … [Read more...]

The dark side of nonprofit-land

moon

Unseemly. This is the word that keeps coming to mind when I think about the recent spate of lockouts, strikes and general discord at US orchestras. The underbelly of orchestras that has been shown in too many of these cases completely undermines my belief that nonprofit organizations are filled with good people trying to do the right thing. Moreover, I worry that the public airing of these disputes has left the American public with the inaccurate impression that all orchestras are filled with greedy bastards both on stage and in the offices. … [Read more...]

Nonprofit Arts Orgs and the Boards That Love Them

Ashamed head-in-hands

Last week I read an article by Pablo Eisenberg in the Chronicle of Philanthropy in which he argues that greater oversight of nonprofits is needed because nonprofit boards can no longer be trusted to make sure the institutions they govern are serving the public interest, which they are legally obliged to serve. Eisenberg mentions hospitals and universities in particular, citing the recent debacles at University of Virginia and Penn State as evidence for why we can no longer put our faith in boards. However, I think it’s fair to say that the arts … [Read more...]

On artists making a living and artistic directors that could make a difference but don’t

Ethan Lipton

Saturday night I went to Joe’s Pub to see playwright-lounge lizard Ethan Lipton & His Orchestra perform  his new work, No Place To Go, about a playwright-lounge lizard that must decide whether to relocate or stay in the ‘the city’ when the company that has provided him with a steady ‘day-job’ (part-time no-benefits employment) for a decade decides to relocate to Mars.  It’s funny, satirical, and poignant. As you might have inferred, the piece is inspired by events in Lipton’s life. Some of my friends who are actors, playwrights, … [Read more...]

The times may be a-changin’ but (no surprise) arts philanthropy ain’t

bullballerina

The Philanthropy News Digest recently sent me a bulletin with the headline, “Arts Funding Does Not Reflect Nation's Diversity, Report Finds” which linked me to an AP Newsbreak article with the headline “Report finds arts funding serves wealthy audience, is out of touch with diversity”. My initial thought was, “Seriously? We need a report to tell us this?” The report, Fusing Arts, Culture, and Social Change: High Impact Strategies for Philanthropy, was produced by the National Committee for Responsive Philanthropy and written by Holly … [Read more...]

It may be excellent work … but is it good?

shutterstock_76916140 right wrong

A few years back I heard Howard Gardner speak in a lecture series at MOMA in NYC called The True, the Beautiful and the Good, Reconsiderations in a Postmodern, Digital Era. I attended the lecture on ‘the Good’ in which Gardner described ‘good work’ (in the sense of one’s vocation/job) as work that is excellent, engaging, and ethical (for more on this idea, check out Gardner's Goodwork Toolkit). As soon as I heard the description my mind began working on a question: By-and-large, are nonprofit arts organizations doing ‘good’ (i.e., excellent, … [Read more...]