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Far out improv, high concept contemporary composition, new jazz scholarship and "cut loose" music from Guadeloupe flood Lowest Manhattan (all the way to Staten Island) this weekend. The folks who bring us the Vision Festival stage 28 hours of multidisciplinary improvisation starting tonight (Friday) at 6 p.m. at Clemente Soso Velez Cultural Center; Mode Records throws itself a benefit marathon concert featuring Philip Glass, John Zorn and Robert Ashley, among many others on Saturday at Abrons Art Center; jazz scholars convene for The Louis Armstrong Symposium at College of Staten Island also Saturday starting at 9 a.m., keynote by Dan Morgenstern) and the Destination Guadeloupe Festival climaxes with Gwo-ka drumming, "gwanda jazz" and zouk at S.O.B.'s on Sunday (bands from Guadeloupe are also there and at Zinc Bar tonight and tomorrow).The possibilities show again the breadth and depth of music made and presented in NYC.
November 20, 2009 8:44 AM | | Comments (0)
Stepping down from presiding over Jazz.com two years after its launch, editor, author and pianist Ted Gioia isn't saying much about what's up with the site that has become a major web resource and destination. Naturally, this leads to wondering what has become of the promise and potential of jazz on the web.
November 19, 2009 2:03 PM | | Comments (2)
A survey in my latest City Arts column of the music of trumpeter-composer Wynton Marsalis, in the jazz spotlight for 25 years. Founder and artistic director of Jazz at Lincoln Center, educator, activist, humanitarian, winner of a Pulitzer and multiple Grammies, Wynton stands tallest in my book when he just plays jazz.
November 19, 2009 1:15 PM | | Comments (1)
Writer-guitarist Greg Tate was shy about conducting Burnt Sugar at the Blue Note last night, not stepping out front of his troupe to guide them (kinda like President O waiting for Congress to decide what to do), but the late Robert Palmer's spirit hovered quite tangibly over the tribute his daughter Augusta Palmer ran at Le Poisson a couple blocks away, celebrating the screening of her film The Hand of Fatima which tells the story of her disengaged dad and his musical fascinations. The struggle for respect of music journalists who believe black music is the heart-and-soul of America goes on. . . 
November 17, 2009 8:11 PM | | Comments (3)
Monday 11/16, NYC: writer-guitarist-conductor Greg Tate's Burnt Sugar plays the Blue Note, and the late journalist-reedsplayer Robert Palmer is celebrated by biographer-world musician John Kruth, historian-memoirist-social commentator-radio producer-singer-songwriter Ned Sublette, and the Master Musicians of Jajouka with at Le Poisson Rouge. Are the inmates running the asylum?
   
November 15, 2009 3:52 PM | | Comments (1)
Winners of this blog's first Blues Lyric Contest are suitably troubled -- and all get Wynton Marsalis and Willie Nelson Play the Music of Ray Charles DVDS to ease their weary minds. All have expressed regrets they can't get to  Jazz at Lincoln Center concerts of Wynton and the Lincoln Center Jazz Orchestra celebrating for Mary Lou Williams' centennial or  alto saxist Maceo Parker, so sadly those tix go wanting. But that's the blues for ya. . . 
November 13, 2009 1:51 PM | | Comments (0)
Prizes of Jazz at Lincoln Center tix for this weekend and dvds of Wynton Marsalis with Willie Nelson for the best blues lyrics or prose poem will be determined at 12:01 tonight (11/11/09). Several stunning (!?!) efforts have been received -- via the comments box below -- but I'm not publishing any of them until all the tries are in and the winners have been chosen. Is it hard to write a blues lyric? See my examples from yesterday, or search the web for classics, which are plentiful. Three to five choruses fitting a standard 12-bar blues form, or a bluesy prose poem of 100 to 150 words are what I want to see -- alto sax soulman Maceo Parker playing in the elegant Allen Room, and Wynton leading the Lincoln Center Jazz Orchestra in music by Mary Lou Williams, with featured soloists Geri Allen and Geoff Keezer are first prizes; second and third are dvds of Wynton and Willie (with guest Norah Jones), autographed by Mr. Jazz at Lincoln Center himself. 

Submit your blues now! Don't delay and cry like this -- 
November 11, 2009 11:50 AM | | Comments (0)
For tickets to Jazz at Lincoln Center this weekend or a dvd of Wynton Marsalis and Willie Nelson performing live, try writing a blues. How hard can it be?

"Minutes seem like hours, hours seem like days,
Seems my baby would stop her lowdown ways" -- Muddy Waters, "Country Blues"

 "Woke up this morning, looked 'round for my shoes
You know I had those mean old walkin' blues" -- Robert Johnson, "Walkin' Blues" 
"Whoa, oh tell me baby
Where did ya stay last night? An' why don't ya hear me cryin'?
Whoo hoo, whoo whoo, 
Whoo who. . . " -- Howlin' Wolf, "Smokestack Lightning"
November 10, 2009 9:09 AM | | Comments (1)
Readers of this blog can win 2 tix for JALC's November 14 shows by Maceo Parker or the Lincoln Center Jazz Orchestra playing Mary Lou Williams, or autographed Wynton-Willie Nelson Play Ray Charles dvds. But in keeping with the inherent value of these prizes, I'm making the contest creative, not easy.
November 7, 2009 10:41 AM | | Comments (0)
Jazz is global, but its most ambitious players still flock to the US to soak in its roots and prove they're part of the scene. Tonight a Parisian septet called Fractale wraps up an eight-gig tour of the States at the Drom in the East Village, after stops in New Orleans, Cleveland and Chicago. From December 3 to 6 Spanish pianist Chano Domínguez & his Flamenco Quintet bring its commissioned "The Flamenco Side of Kind of Blue" to the Jazz Standard to assert that the Barcelona Jazz Festival (in which they premiere the work on November 12) has something to do with the Big Apple. Next February the Portland Jazz Festival explores the theme "Is Jazz Dead (Or Has It Moved To A New Address?)." But incontrovertible evidence suggests that however far the sound has spread, those who matter know where jazz calls home.
November 6, 2009 7:33 AM | | Comments (1)

About

Jazz Beyond Jazz

What if there's more to jazz than you suppose? What if jazz demolishes suppositions and breaks all bounds? What if jazz - and the jazz beyond, behind, under and around jazz - could enrich your life?

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Miles Ornette Cecil: Jazz Beyond Jazz







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Howard Mandel HM2.for%20web.jpg I'm a Chicago-born and New York-based writer, editor, author, arts producer for National Public Radio -- for more than 30 years, a freelance arts journalist working on newspapers, magazines and websites, appearing on tv and radio, teaching at New York University and elsewhere. I'm president of the Jazz Journalists Association. more

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Archives

Archives: 231 entries and counting

Interviews & Articles

Rashied Ali (1935 - 2009), multi-directional drummer, speaks 

A 1990 interview with drummer Rashied Ali, about his relationship with John Coltrane.

On The Corner program notes, Merkin Hall concert 5/25/09 

Miles Davis intended On The Corner to be a personal statement, an esthetic breakthrough and a social provocation upon its release in fall of 1972. He could hardly have been more successful: the album was all that, though it has taken decades for its full impact to be understood.

Joe Zawinul at 65, The Wire 

Interview with Joe Zawinul, The Wire, 1996

Jazz Festivals 

....good for cities, musicians, audiences. Hear it on NPR audio_icon.gif

The Makers of Jazz Beyond Jazz 
Over the course of three decades, I've been privileged to get behind the scenes and meet heroic creators of jazz as well as up-and-comers, innovators and exemplars of many other genres. Please enjoy these archival interviews and articles.

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This page is a archive of recent entries in the main category.

interviews is the previous category.

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culture
About Last Night
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
critical difference
Laura Collins-Hughes on arts, culture and coverage
Dewey21C
Richard Kessler on arts education
diacritical
Douglas McLennan's blog
Dog Days
Dalouge Smith advocates for the Arts
Flyover
Art from the American Outback
Life's a Pitch
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
Performance Monkey
David Jays on theatre and dance
Plain English
Paul Levy measures the Angles
Real Clear Arts
Judith H. Dobrzynski on Culture
Rockwell Matters
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude

dance
Foot in Mouth
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...

jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
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Doug Ramsey on Jazz and other matters...

media
Out There
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...

classical music
Creative Destruction
Fresh ideas on building arts communities
The Future of Classical Music?
Greg Sandow performs a book-in-progress
On the Record
Exploring Orchestras w/ Henry Fogel
Overflow
Harvey Sachs on music, and various digressions
PianoMorphosis
Bruce Brubaker on all things Piano
PostClassic
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds

publishing
book/daddy
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera

theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off
lies like truth
Chloe Veltman on how culture will save the world

visual
Aesthetic Grounds
Public Art, Public Space
Another Bouncing Ball
Regina Hackett takes her Art To Go
Artopia
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog