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Jazz Beyond Jazz

Howard Mandel's Urban Improvisation

Boogie-man Helfer bounces back from covid-depression

August 19, 2020 by Howard Mandel

Erwin Helfer, the 84-year-young Chicago pianist of heartfelt blues, boogie, rootsy American swing and utterly personal compositions, has told his tale of covid-19-related profound depression, hospitalization, treatment and recovery to the Chicago Sun Times. I'm a longtime friend, ardent fan and two-time record producer of Erwin's, and had lunch with him soon after the article ran. He was in fine fettle -- a great relief to me and the rest of the large, devoted community that's been deeply concerned about his health since April, when his … [Read more...]

RIP Annie Ross: Her last stand with Jon Hendricks

July 22, 2020 by Howard Mandel

Annie Ross, who died July 21 at age 89, sold "Loch Lomond" as a seven-year- old in the Little Rascals with brass equal to her hero in "Farmers Market" hawking beans. The child of Scottish vaudevillians, she was maybe never shy. In 2002 I reported on her last stand with fellow vocalese icon Jon Hendricks, at the Blue Note in Manhattan for the newspaper City Arts. The second-to-last set ever to be sung by Hendricks and Ross, two-thirds of the vocal trio once hailed as "the hottest new group in jazz" was delightful, sad, instructive and … [Read more...]

Love movies, jazz, and thinking about them? A treat

July 20, 2020 by Howard Mandel

Movies, jazz and reading remain my favorite solitary diversions, and Fresh Air critic Kevin Whitehead enables immersion in all three with Play The Way You Feel: The Essential Guide to Jazz Stories on Film, his entertaining, provocative, deeply informed look at some 120 flicks and a handful of tv shows relating tales that mirror or inform American culture. From The Jazz Singer (1928), long cited as the first motion picture with sound (it wasn't exactly, but launched the form) to Bolden, a too-little distributed imagining of the first … [Read more...]

Four months of jazz adaptation, resilience, response to epidemic

July 2, 2020 by Howard Mandel

In early March - only four months ago - I flew between two of the largest U.S. airports, O'Hare and JFK, to visit New York City. I stayed in an East Village apt. with my daughter and a nephew crashing on her couch. We ate barbecue at a well-attended Jazz Standard performance by drummer Dafnis Prieto's sextet, and the next day I went to a celebration of Ornette Coleman's birthday, his demise five years ago and his ongoing spirit, hosted by his son Denardo at the Coleman's midtown loft. Noted improvisers David Murray, Graham Haynes, … [Read more...]

Revered jazz elders, deceased: portraits by Sánta István Csaba

April 20, 2020 by Howard Mandel

As a generation of jazz elders leaves our world -- some hastened by the pandemic -- their faces as photographed by Sánta István Csaba become even more luminous, haunting, iconic. Originally from Transylvania and currently living in Turin, the northern Italian area with heaviest covid-19 infections, Sánta reports that he is healthy, employed at the reception desk of a nearby school, and has recently been honored with a Hungarian Press Photo Award. However, with the lockdown, that Awards ceremony has been indefinitely postponed. … [Read more...]

Future Jazz past: Hal Willner, circa 1992

April 9, 2020 by Howard Mandel

The death of funny, smart, idiosyncratic, unique music producer Hal Willner at age 64 saddens me. We were East Village neighbors in the go-go '90s, flush with ideas to try in the future. Here's my entry about him from Future Jazz (Oxford U Press, 1999). CONCEPT PRODUCER AS VISIONARY "My projects happen mostly by accident," claims Hal Willner, soundtrack producer of Robert Altman's films including Short Cuts, based on short stories by the late American "dirty realist" writer Raymond Carver and Kansas City, a paean to jazz during … [Read more...]

JazzOnLockdown: Musicians, venues, .orgs — writers? — turn to live-streaming

March 22, 2020 by Howard Mandel

It's the most obvious, available and so far low-cost option for anyone who can cast a performance online for public consumption -- jazz musicians specifically included: Live-streaming. Fred Hersch has been first out of the box, committing to live-streaming daily mini concerts from his living room, 1pm Eastern Daily Time  (10am PST, 7pm in Europe) -- https://www.facebook.com/fredherschmusic.  As New York, California, Illinois and other U.S. locales request and/or require a suspension of public gatherings, the personal … [Read more...]

Jazz vs. lockdown: Blogs w/ vid clips defy virus muting musicians

March 17, 2020 by Howard Mandel

Jazz doesn't want to stay home and chill -- so members of the Jazz Journalists Association launched on Monday, 3/15/2020, JazzOnLockdown: Hear It Here, a series of curated v-logs featuring performance videos of musicians whose gigs have been postponed or cancelled due to coronavirus concerns. The initial JOL post, by Madrid blogger Mirian Arbalejo (of MissingDuke.com) is dedicated to Marcelo Peralta, Argentine born/Spanish resident saxophonist-composer-arranger who is reportedly the first jazz musician to succumb to the illness. The … [Read more...]

Mardi Gras’ lewd Krewe, Marc Pokempner’s photos

February 22, 2020 by Howard Mandel

Krewe du Vieux Carré puts on the most satirical and scatalogical of New Orlean's pre-Mari Gras parades, says photo-journalist Marc PoKempner, whose images © here provide convincing evidence. PoKempner writes: "Our dysfunctional evil-clown-in-chief figured prominently in this years’ Krewe du Vieux parade and the immediately following krewedelusion -- an annual outpouring of satirical, political, scatological and outrageous imagery that can always be counted on to top the charts of the crude, lewd and rude. At once the most topical and most … [Read more...]

A dip into Mexico City street music and avant-garde

January 19, 2020 by Howard Mandel

Here's writing I worked hard on last year, published in slightly different form as a "Global Ear" column in The Wire (UK) December 2019. Rafael Arriaga's photos (unless credited otherwise) are a fit complement, as is Jazzamoart's painting, "El Bop de los Alebrijes." The Harmonipan players, khaki-uniformed men and women grinding away for spare change on out-of-tune, ill-repaired 100-year-old portable German organs in the midst of Mexico City's car-jammed boulevards, were the most surprising element of the soundscape on my recent quick … [Read more...]

Chicago Jazz fest images, echoes

September 10, 2019 by Howard Mandel

The 41st annual Chicago Jazz Festival has come and gone, as I reported for DownBeat.com in quick turnaround. I stand by my lead that the music was epic -- cf. Marc PoKempner's beautiful image of the Art Ensemble of Chicago at Pritzker Pavillion, facing east towards Mecca just before their African percussion-driven orchestral set. And epochal, yes: the Art Ensemble is 50 years old, as discussed in my radio piece for NPR's Here and Now). Such longevity is remarkable for any jazz or improvisational unit but the more so as the AEC in its … [Read more...]

Transcending Toxic Times with street poetry & music

July 10, 2019 by Howard Mandel

My DownBeat article about Transcending Toxic Times, the compulsively listenable, critically political album by the Last Poets produced by electric bassist/composer Jamaaladeen Tacuma, includes a lot of quotes from my interviews with him and poet Abiudon Oyewale. I reproduced some of the searing imagery/lyrics on the recording, and provided background on how these men have been calling out American mendacy and hypocrity for half-a-century, as black street seers emerging in the late 1960s -- before poetry jams, signifyin' djs or rappers -- … [Read more...]

Dr. John, Back in the Day and Blindfolded

June 7, 2019 by Howard Mandel

Dr. John the Night Tripper -- Mac Rebbanack, New Orleans' musical fabulist, dead June 6 at age 77 -- dazzled me at one of the first rock shows I recall attending, at Chicago's Aragon Ballroom circa 1969. I was then enthralled by Gris-gris, his murky, obscure and carnivalesque debut album, having never heard anything like it (and I still haven't -- thanks perhaps to the great, less- heralded producer Harold Battiste). I was thrilled to Blindfold Test Mac for DownBeat in 1984. He came to listen in my grubby East Village apartment. Years … [Read more...]

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Howard Mandel

I'm a Chicago-born (and after 32 years in NYC, recently repatriated) writer, editor, author, arts reporter for National Public Radio, consultant and nascent videographer -- a veteran freelance journalist working on newspapers, magazines and websites, appearing on tv and radio, teaching at New York University and elsewhere, consulting on media, publishing and jazz-related issues. I'm president of the Jazz Journalists Association, a non-profit membership organization devoted to using all media to disseminate news and views about all kinds of jazz.
My books are Future Jazz (Oxford U Press, 1999) and Miles Ornette Cecil - Jazz Beyond Jazz (Routledge, 2008). I was general editor of the Illustrated Encyclopedia of Jazz and Blues (Flame Tree 2005/Billboard Books 2006). Of course I'm working on something new. . . Read More…

About Jazz Beyond Jazz

What if there's more to jazz than you suppose? What if jazz demolishes suppositions and breaks all bounds? What if jazz - and the jazz beyond, behind, under and around jazz - could enrich your life? What if jazz is the subtle, insightful, stylish, … [Read More...]

Recent Comments

  • Howard Mandel on Boogie-man Helfer bounces back from covid-depression: “thanks Don, I’ll pass along your regards — I’m keeping in close touch with Erwin. I do believe we’ll see…” Aug 22, 12:07
  • Don Meckley on Boogie-man Helfer bounces back from covid-depression: “Thanks Howard for sharing your visit with Erwin. I happened to catch his set at the Brain on March 10th,…” Aug 22, 11:42
  • Howard Mandel on Boogie-man Helfer bounces back from covid-depression: “He’ll be pleased to hear from you, Mwata.” Aug 20, 22:31
  • Mwata Bowden on Boogie-man Helfer bounces back from covid-depression: “Hi Howard, Thanks for this informative article on Erwin, it’s full of love, care and appreciation. Please extend these feelings…” Aug 20, 16:34
  • Howard Mandel on RIP Annie Ross: Her last stand with Jon Hendricks: “Thanks Glenn, Thanks for the kudos, glad you enjoyed, all’s ok here. Hoping things get even better, of course? Stay…” Jul 22, 20:03

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Interviews & Articles

ESP Disks — origins of jazz beyond jazz

Reviewing a sleeping giant, ESP Disks before its early '00s revival  Howard Mandel c 1997, published in issue 157, The Wire It was a time before psychedelics. Following the seismic cultural disruptions of the mid '50s, rock 'n' roll had hit a … [Read More...]

William Parker, my DownBeat feature from 1998

Howard Mandel c 1998/published by DownBeat, July 1998, under headline Beneath the Underdog (the editor's reference to Charles Mingus's autobiography): There's an anchor for New York's downtown free jazz and improv "wild bunch": his name is William … [Read More...]

Matthew Shipp, my feature for The Wire, 1998

[contextly_auto_sidebar id="IFeXJPobvykRyuU4dU68FilRPv0EE8oC"] This is a complete version of the feature on pianist Matthew Shipp I wrote for The Wire, published in February, 1998 Is this the face of New York's jazz avant now? Pianist Matt … [Read More...]

Rashied Ali (1935 – 2009), multi-directional drummer, speaks

A 1990 interview with drummer Rashied Ali, about his relationship with John Coltrane. … [Read More...]

On The Corner program notes, Merkin Hall concert 5/25/09

Miles Davis intended On The Corner to be a personal statement, an esthetic breakthrough and a social provocation upon its release in fall of 1972. He could hardly have been more successful: the album was all that, though it has taken decades for its … [Read More...]

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