March 9, 2010
March 4, 2010
March 3, 2010
February 27, 2010
February 24, 2010
February 20, 2010
February 12, 2010
February 11, 2010
Composer, conceptualist and multi-instrumentalist Ornette Coleman, b. March 9 1930, is widely known for "free jazz" -- which is routinely depicted as the most abstract and daunting music to emerge from the U.S. But this overlooks Ornette's deep roots in blues from the Southwest and his fealty to the freedom of expression, mobility and individuality that has made the U.S. great.
Continue reading Happy Birthday Ornette Coleman, roots avant-gardist .
International House Philadelphia hosts a series way beyond old jazz conventions, with roots in the wild stuff fav' son John Coltrane blew in 1961. I delve into the 50-year controversy for PMP online magazine of the Philadelphia Music Project here, before the Art Ensemble of Chicago plays what it's come to on Saturday, March 6.
Continue reading Anti-jazz, the still-new thing.
Next week WKCR-FM 89.9 www.wkcr.org, promises all-day music of Ornette Coleman and Bix Beiderbecke, linking the "free jazz" iconoclast (turning 80 Mar 9) to the Roaring '20s jazz-mad kid cornetist/pianist (who would be 107 on March 10, if he hadn't drunk himself to death at age 28 in 1931). Mark your calendars now!
Continue reading Breadth-of-jazz radio WKCR fetes Ornette, Bix.
Under-sung, mid-career jazz pianists of innovative distinction in New York City -- the topic of my new column in City Arts - New York's Review of Culture -- considerations prompted by David Hajdu's NYT magazine feature on Fred Hersch. Who'd I leave out?
Continue reading Piano love, NYC edition.
Composer-saxophonist Henry Threadgill performed his quicksilver music with quintet Zooid at the Jazz Gallery a few days back: here are the photos. He talked at Jazz at Lincoln Center, also: a brief synopsis.
Continue reading Threadgill talks, Zooid photo'd.
B.B. King, 84 yr old #1 living blues icon of the world, and Buddy Guy, 73 yr old 1st runner-up, concertized in New York City last weekend, but there's been a near-total news blackout. Here's a review from the Financial Times of London. Meanwhile, Jeff Beck and Eric Clapton, British blues pretenders (as in pretenders to the throne) rated a three-column photo and full front page New York Times arts section review,
Continue reading What if B.B. King and Buddy Guy played NYC and nobody came?.
City Arts, for space reasons, left off the last graph I'd submitted: True blue fans will flock to hear David "Honeyboy" Edwards, running buddy of legendary Robert Johnson and recipient of a Grammy Lifetime Achievement Award, at B.B. King's March 11. Edwards is 95, a lifetime achievement for any blues musician, and according to this report from two years ago, he can still play. Continuing with the strength that it has for more than 100 years is an achievement for the blues itself, and American culture, too.
howardmandel.com
Subscribe by Email | Subscribe by RSS | Follow on Twitter
All JBJ posts |
Subscribe by Email | Subscribe by RSS | Follow on Twitter
All JBJ posts |
My column http://tinyurl.com/NYCblues in City Arts - New York's Review of Culture, focuses on America's deep, dark musical strain as it is today in a blues-challenged city. It doesn't mention that Wynton Marsalis is the world's greatest blues trumpeter, as he proved last night playing "bread and butter" from the Count Basie songbook with the Jazz at Lincoln Center orchestra, a show repeated tonight (2/12) and Saturday.
Continue reading The blues in NYC.
Flutists drawn to the instrument's floating high pitch also want to get down, according to Robert Dick, world master of the contrabass flute and extended flute techniques. He demonstrated this truism Monday at Dixon Place (NYC) with an improv titled "Fumarole," after the undersea vents for volcanic gasses that support unique ecosystems and lifeforms. It sounded like little else I've ever heard.
Continue reading Robert Dick's big bad flute.
About
Jazz Beyond Jazz
(FTC) Disclosure
more
JJA Jazz Awards more
#jazzlives tweet who/where when YOU hear **LIVE** jazz
more
Jazz Beyond Jazz
more
Howard Mandel
I'm a Chicago-born and New York-based writer, editor, author, arts producer for National Public Radio -- for more than 30 years, a freelance arts journalist
working on newspapers, magazines and websites, appearing on tv and radio, teaching at New York University and elsewhere. I'm president of the Jazz Journalists Association. more
Contact me Click here to send me an email... more
What if there's more to jazz than you suppose? What if jazz demolishes suppositions and breaks all bounds? What if jazz - and the jazz beyond, behind, under and around jazz - could enrich your life?
more(FTC) Disclosure
more
JJA Jazz Awards more
#jazzlives tweet who/where when YOU hear **LIVE** jazz
more
Jazz Beyond Jazz
I'll be speaking:
![]()
I'm on Facebook
![]()
Follow Jazz Beyond Jazz on Twitter
more
Howard Mandel
I'm a Chicago-born and New York-based writer, editor, author, arts producer for National Public Radio -- for more than 30 years, a freelance arts journalist
working on newspapers, magazines and websites, appearing on tv and radio, teaching at New York University and elsewhere. I'm president of the Jazz Journalists Association. moreContact me Click here to send me an email... more
Blogroll
Jazz Beyond Jazz
A Blog Supreme (NPR)
Forrest Dylan Bryant's Jazz Observer
Guardian (UK) jazz coverage
Neil Tesser, Chicago Jazz Music Examiner
Alex W. Rodriguez's Lubricity (suspended)
Radio.Video.Jazz
All About Jazz blogs
All About Jazz home
Andrea Cantor's JazzInk
The Bad Plus' Do The Math
Bob Lewis' Jazz My Two Cents Worth
Bret Primack, Jazz Video Guy
Bruno Leicht's Subjective Jazz Views
Carl Wilson's cross-genre Zoilus
CelebStoner
David R. Adler's Lerterland
Darcy James Argue's Secret Society
Dave Douglas's Greenleaf Music Blog
David Ryshpan's Settled in Shipping
Dean Minderman's St. Louis Jazz Notes
Don Heckman and The International Review of Music
Doug Ramsey's Riffides
Fred Kaplan's Jazz Messenger
Hank Shteamer's Dark Forces Swing Blind Punches
James Hale's Jazz Chronicles
Jazz.com
JazzCorner
Jazz Foundation of America
Jazz Journalists Association's Jazzhouse
JazzWest
Willard Jenkins' Independent Ear
Kazue Yokoi's exblog (in Japanese)
Larry Blumenfeld's Listen Good
Marc Myers' Jazzwax
Michael Steinman's Jazz Lives
Nate Chinen, The Gig
Pamela Espeland's Bebopified
Plastic Sax, Jazz in Kansas City
Peter Hum's JazzBlog
Tim Posgate's Canadian 'jazzlife'
Rock & Rap Confidential
Thelonius Monk Institute of Jazz
U of Guelph's Improvisation, Community and Social Practice
Ralph Mirlello's Notes on Jazz
A Blog Supreme (NPR)
Forrest Dylan Bryant's Jazz Observer
Guardian (UK) jazz coverage
Neil Tesser, Chicago Jazz Music Examiner
Alex W. Rodriguez's Lubricity (suspended)
Radio.Video.Jazz
All About Jazz blogs
All About Jazz home
Andrea Cantor's JazzInk
The Bad Plus' Do The Math
Bob Lewis' Jazz My Two Cents Worth
Bret Primack, Jazz Video Guy
Bruno Leicht's Subjective Jazz Views
Carl Wilson's cross-genre Zoilus
CelebStoner
David R. Adler's Lerterland
Darcy James Argue's Secret Society
Dave Douglas's Greenleaf Music Blog
David Ryshpan's Settled in Shipping
Dean Minderman's St. Louis Jazz Notes
Don Heckman and The International Review of Music
Doug Ramsey's Riffides
Fred Kaplan's Jazz Messenger
Hank Shteamer's Dark Forces Swing Blind Punches
James Hale's Jazz Chronicles
Jazz.com
JazzCorner
Jazz Foundation of America
Jazz Journalists Association's Jazzhouse
JazzWest
Willard Jenkins' Independent Ear
Kazue Yokoi's exblog (in Japanese)
Larry Blumenfeld's Listen Good
Marc Myers' Jazzwax
Michael Steinman's Jazz Lives
Nate Chinen, The Gig
Pamela Espeland's Bebopified
Plastic Sax, Jazz in Kansas City
Peter Hum's JazzBlog
Tim Posgate's Canadian 'jazzlife'
Rock & Rap Confidential
Thelonius Monk Institute of Jazz
U of Guelph's Improvisation, Community and Social Practice
Ralph Mirlello's Notes on Jazz
AJ Ads
AJ Blogs
AJBlogCentral | rssculture
About Last Night
Terry Teachout on the arts in New York City
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
rock culture approximately
critical difference
Laura Collins-Hughes on arts, culture and coverage
Laura Collins-Hughes on arts, culture and coverage
Dewey21C
Richard Kessler on arts education
Richard Kessler on arts education
diacritical
Douglas McLennan's blog
Douglas McLennan's blog
Dog Days
Dalouge Smith advocates for the Arts
Dalouge Smith advocates for the Arts
Flyover
Art from the American Outback
Art from the American Outback
Life's a Pitch
For immediate release: the arts are marketable
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
No genre is the new genre
Performance Monkey
David Jays on theatre and dance
David Jays on theatre and dance
Plain English
Paul Levy measures the Angles
Paul Levy measures the Angles
Real Clear Arts
Judith H. Dobrzynski on Culture
Judith H. Dobrzynski on Culture
Rockwell Matters
John Rockwell on the arts
John Rockwell on the arts
State of the Art
innovations and impediments in not-for-profit arts
innovations and impediments in not-for-profit arts
Straight Up |
Jan Herman - arts, media & culture with 'tude
Jan Herman - arts, media & culture with 'tude
dance
Foot in Mouth
Apollinaire Scherr talks about dance
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...
Tobi Tobias on dance et al...
jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...
Doug Ramsey on Jazz and other matters...
media
Out There
Jeff Weinstein's Cultural Mixology
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...
Martha Bayles on Film...
classical music
Creative Destruction
Fresh ideas on building arts communities
Fresh ideas on building arts communities
The Future of Classical Music?
Greg Sandow performs a book-in-progress
Greg Sandow performs a book-in-progress
Overflow
Harvey Sachs on music, and various digressions
Harvey Sachs on music, and various digressions
PianoMorphosis
Bruce Brubaker on all things Piano
Bruce Brubaker on all things Piano
PostClassic
Kyle Gann on music after the fact
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds
Norman Lebrecht on Shifting Sound Worlds
The Unanswered Question
Joe Horowitz on music
Joe Horowitz on music
publishing
book/daddy
Jerome Weeks on Books
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera
Scott McLemee on books, ideas & trash-culture ephemera
theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off
Wendy Rosenfield: covering drama, onstage and off
lies like truth
Chloe Veltman on how culture will save the world
Chloe Veltman on how culture will save the world
visual
Aesthetic Grounds
Public Art, Public Space
Public Art, Public Space
Another Bouncing Ball
Regina Hackett takes her Art To Go
Regina Hackett takes her Art To Go
Artopia
John Perreault's art diary
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog
Tyler Green's modern & contemporary art blog