By defeatist, I mean that the proposition here is to evacuate the contaminated rhetorical premises of "art" and "culture"; to flee from them, rather than win them back in all their glory. As a strategy, it's like switching to "progressive" from "liberal"--clever, but ultimately a bit of a copout. Can old terms have fresh meanings? Must we leave them charred and wounded on the battlefield?
By a lop-sided view of culture, I'm referring to a definitional nuance that is more important. "Expressive life" puts the emphasis on communication, and not just any communication--projective communication. Such a view of culture--solely comprised of people and organizations broadcasting their words, sounds and images into the world--is half of what I think culture to be. For culture is about absorbing as much as it is about expressing.
Perhaps, in addition to the "expressive life," should we also consider the "receptive life"? Bill alludes to this in his in his writings in his poignant contrast of "heritage" and "voice"--but those words reflect the duality only to a point. Yes, culture is certainly about listening to the past and having a voice in the present. But is also about listening in the present and having a voice in the present. Culture is a conversation: endlessly absorbing and expressing. The words "art" and "culture" have served us well because they encompass both of these dimensions.
Adrian Ellis; Alan Brown; Andras Szanto; Andrew Taylor; Bau Graves; Douglas McLennan; Ellen Lovell; Bill Ivey, William James; James Early; Jim Smith; Lewis Hyde; Marian Godfrey; Martha Bayles; Nihar Patel; Russell Taylor; Sam Jones; Steven Tepper
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