RE: What's in and what's out?
To be honest, we have neither the process nor the authority to make those decisions. Rather, all the current and potential players in the game and their representatives can choose for themselves whether the larger frame serves their specific purpose. I'm hoping that most of them are having that very discussion right now (or perhaps they're already done).
Back in 2008, Elizabeth Long Lingo and I (and a fabulous research team) actually dabbled in the very question for a Curb Center research initiative at the National Performing Arts Convention in Denver. Since the convention was drawing a national audience of arts professionals, advocates, and supporters from multiple disciplines, our research team wanted to know how they drew the frame around ''performing arts'' (essentially the ''what's in and what's out'' question). Here are the results of that pre-conference survey question for those who care to know (click the link or the image for a full-size view).
I found it interesting that the convention was intended to bring more muscle and motivation to a national conversation about public policy and the performing arts, but that two of the largest national and local purveyors of music (Walmart) and media theater (Blockbuster) didn't make the cut.
Adrian Ellis; Alan Brown; Andras Szanto; Andrew Taylor; Bau Graves; Douglas McLennan; Ellen Lovell; Bill Ivey, William James; James Early; Jim Smith; Lewis Hyde; Marian Godfrey; Martha Bayles; Nihar Patel; Russell Taylor; Sam Jones; Steven Tepper
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