SMITH, JUDD AND WOODMAN

  David Smith with Australia, 1951 Three More Painters Poet John Ashbery, who had published my poems in both Locus Solus and Art and Literature, was back from Paris and seemingly in charge of recruiting a new batch of starving poets to write reviews for Art News. So I had my interview with king-maker Thomas Hess. What do you think of Action Painting? Answer: Some of it's good; some of it's bad. What do you think of Pop Art? Answer (this was in 1964): Some of it's good; some of it's bad. I … [Read more...]

CLEMENT GREENBERG, THE ARTIST

The Greenbergian Stake This week I have a few thoughts about Clement Greenberg, not that we need another nail in his coffin or stake through his heart. All the dirty work was done upon the occasion of Florence Rubenfeld's 1998 Clement Greenberg: A Life. Aside from the claim that he alone discovered and nurtured Jackson Pollock, there is little to praise or dispute. Oh, yes, his writing style was clear although his logic was warped. And he did make value judgments. Besides, he was cremated in … [Read more...]

THE LAST BIENNIAL?

Tiravanija and deSuvero, etc.: Peace Tower, 2006 Better Than An Art Fair; Faster, Bigger, Darker What is there left to say? The Whitney Biennial (through May 28) always has enough for everybody ... to hate. I, however, being of an infuriatingly sunny disposition, always find something to love. Two innovations this time are of note. The Biennial has a title: "Day for Night," after Francois Trouffaut's film (not his best) L'Nuit Americaine. "Day for night," translated into French as "American … [Read more...]