News broke last week that Edward Albee’s estate had denied permission for the casting of a black actor as Nick in Who’s Afraid of Virginia Woolf?, reigniting yet again the debates on non-traditional casting. Alexis Soloski looks at the good-faith issues in the debate: “Part of the difficulty has to do with whether we perceive theater as a collaborative form in which a play is made new each time a director and actors put it on, or whether plays exist as blueprints for a single ideal staging that each production will realize to greater and lesser extent.”