From Sophocles through Roman spectacles and the Théâtre du Grand-Guignol to Sarah Kane, a look at the means – decorous, horrifying, inventive – playwrights, directors and stage managers have used to depict characters’ ends.
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From Sophocles through Roman spectacles and the Théâtre du Grand-Guignol to Sarah Kane, a look at the means – decorous, horrifying, inventive – playwrights, directors and stage managers have used to depict characters’ ends.