• Subscribe
    • Free AJ Newsletters
    • Subscribe to AJ’s Premium Newsletters
  • Follow
    • Facebook
    • Twitter
    • Tumblr
    • RSS
  • Advertising
    • Advertising
    • About AJClassifieds
    • Place a Classified Ad
  • About
    • About
    • Contact
    • Sources

ArtsJournal - Newsside

  • HOME
  • DANCE
  • IDEAS
  • ISSUES
  • MEDIA
  • MUSIC
  • PEOPLE
  • THEATRE
  • VISUAL
  • WORDS
  • AUDIENCE
  • AJBLOGS

What Shakespeare Knew About Robert Durst’s Confession-Or-Non-Confession

THEATRE Posted: March 26, 2015 1:00 am

Adam Gopnik: “Many people have pointed out the eerie resemblance of Durst’s words to a Shakespearean soliloquy. Actually, only one kind of soliloquy – the villain’s kind – takes this form. Durst’s words are not at all Hamlet-like, as some have said. They recall, instead, the soliloquies of Iago, in Othello, and of Edmund, in King Lear – the moments when an evil man speaks out loud of his own capacity for evil, and then assures us that there’s nothing really shocking there.”

THEATRE Published: 03.25.15

Read the story in The New Yorker Published: 03.25.15

[wp-rss-aggregator template=”ajblogpage” limit=”20″]

.