The Magical Metamorphoses Of Indian Classical Dance

Alastair Macaulay: “Opera people often – and rightly – remark on the marvelous films of the soprano Maria Callas in concert; they show us the very moment when her whole face subtly switches into the character she is about to sing. It feels miraculous. Yet such moments keep recurring during individual Indian dances: the face changes contour; the body becomes another being.”

Email this to someoneShare on FacebookTweet about this on Twitter