How Records Messed Up Classical Music (And The Digital Era Could Fix It)

Tom Service: “The recording industry tried to fix in the collective imagination what individual musical works should be, like the totemic masterpieces of the Western canon (or rather, like those pieces of music that were turned into canonised totems, in part by the recording industry): a series of desirable, aspirational cultural and commercial objects, a collection of black-lacquer-magicked things that could be literally possessed.” Not any more …

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