What’s It Like To Be Second In Command At The Met?

“One of the most important people in opera you’ve never heard of,” Sarah Billinghurst “is responsible for strategic decisions about the company’s repertory, watching out for artists at competitions and rival houses and producing more than two dozen operas a season: finding directors, filling roles major and minor, coordinating rehearsals.”

Email this to someoneShare on FacebookTweet about this on Twitter