“I am resigning now because I do not believe the current leadership has the vision to restore the Orchestra to its place among the great orchestras of the world,’’ longtime principal clarinetist Burt Hara wrote in a letter to his colleagues.
Archives for March 14, 2014
“Dudamel has stopped short of taking a political stand; Gergiev, to Western eyes, has taken the wrong one. How much condemnation do they deserve? And is it reasonable to expect them to take a stand at all? Do we have the same expectations of leading figures in other fields — athletes, actors, dancers, poets?”
Can arts organizations be both art-focused and community-focused?
AJBlog: Jumper | Published 2014-03-14
Pavarotti estate takes action to stop illicit child duet
AJBlog: Slipped Disc | Published 2014-03-13
El Sistema was founded in 1975 by Jose Antonio Abreu, a musician and economist, and it has flourished under eight different governments while aiming to keep many impoverished kids on the straight and narrow. “Ultimately, we have no idea how Dudamel, maestro Abreu and others are functioning in El Sistema. Abreu’s way of working has always been to try and influence the politics subtly from the inside. The second he takes a public stand, he can’t do that anymore.”
“What it does do is give the listener—as well as actors and directors—a snapshot of what the play sounded like when it was new. Such snapshots can serve as invaluable points of departure for the present-day performer, a benchmark against which to measure subsequent interpretative developments.”
“Hearing-damaged infants become hearing-damaged teenagers who listen to loud music that further damages their hearing, who then become hearing-damaged adults who go to events that further damage their hearing, who then have children whose hearing is damaged because their parents cannot hear.”
“If critics want to avoid irrelevance, they might relinquish their duties made redundant by the internet, and focus on reviewing film in terms that draw from their deep knowledge of film as a unique artform. Almost every review—whether in newspapers, magazines or websites—currently follows a similar blueprint: plot synopsis, recap of director’s work, brief appraisal of the acting and/or writing, cursory sentence about the camera work and/or score, and then a long dissection of the narrative and themes.”
“Library bureaucrats aren’t books. A single author isn’t the written word. We in the book business are paid poorly for our work, so we tend to inflate the importance of our jobs to the point where any negativity aimed at us becomes an assault on the worthy cause to which we’ve fed large and juicy chunks of our lives: literature, and books, and ideas.”
“The publications administration at the [Riyadh International] book fair, one of the biggest of its kind in the Arab world, ordered the removal of all books containing [the Palestinian poet’s] work after youths from the religious police complained about the content of the books. … Darwish, who died in 2008, is considered a modern Arab literary giant.”
“When I heard pleas from several friends in the week leading up to the last episode that True Detective would ‘stick the landing,’ it wasn’t just out of a hope that the narrative would tie up in a satisfying catharsis. The statement was filled with more anxiety than that – the need for a tangible return on obsessive investment.”
David Bezmozgis: “As I was writing the book, I kept changing when the action was set, constantly pushing the date ahead by another year … I closely followed the news to see if real events had yet outpaced my inventions. I expected this to happen at any moment in Israel, … [not in] Ukraine and Crimea, places I’d believed to be locked in a dismal kleptocratic stasis.”