A visit to the buzzing Dhaka Art Center and the Bengal Foundation gives a glimpse into a vibrant enterprise “rising above clichéd portraiture of a country steeped in flood and famine.”
Picasso Museum: Reopening With What?
AJBlog: Real Clear Arts | Published 2014-03-14
How Did We Ever Get By Without Justice?
AJBlog: PostClassic | Published 2014-03-14
Will Gentrification Kill Music Scenes?
AJBlog: CultureCrash | Published 2014-03-13
Respecting the craft
AJBlog: The Artful Manager | Published 2014-03-13
“The pianos flew in the air — pianos were all around me,” he said. “They were literally on their side. I was stuck in some miraculous cocoon” of pianos, he said of the massive wood and steel instruments that fell benignly around his body — shielding him from the weight of five stories worth of debris.
There’s a “battle between the Sotheby’s Old Guard and a financier who views artworks as financial assets that trade in a market made by the auction houses. The confrontation figures to get bitter and bruising between now and May, but at its center there sits a rather more exalted question: How do you properly value art?”
“An audited financial statement posted on the Getty’s website reflects investment gains totaling $766.74 million from mid-2012 to mid-2013, enough to cover expenses while socking away about $534 million for the endowment. Officials said the endowment gained an additional $300 million during the second half of 2013, reaching $6.2 billion by year’s end.”