“More recently, Mr. McGinniss made headlines in 2010 when, for his next book, he moved in next door to Sarah Palin and her family in Wasilla, Alaska.”
Archives for March 10, 2014
“I heard drama; I saw drama, great swaying, soaring playing full of determination and vigour, its pace never letting up. (I’m stunned how still the rest of the audience appeared to manage to sit. My head had gone a bit I think.)” Soccer writer Neil Atkinson visits the Royal Liverpool Philharmonic.
“Despite claims made and repeated for decades” – including by Lee Krasner (Pollock’s wife), Peggy Guggenheim (who commissioned the work) and critic Clement Greenberg – “Pollock did not paint the epic canvas in one great, glorious burst of nonstop creative fervor.” Christopher Knight explains how the myth got busted.
“On Monday the company announced that up to 24 writers, chosen from a pool of applicants, will be given a round-trip ticket on a long-distance train, including a private sleeper-car room with a bed, a desk, and electrical outlets. The trains promise the romance. The writers will have to do the rest.”
“Every night at 10, thousands of Koreans tune in to watch Choi Ji-hwan eating on streaming video. The chubby-cheeked 24-year-old offers up a cooking lesson and then, in his main online act, devours a dish like kimchi pork stew in a wild, comic performance meant to make clear how much he enjoys a good meal.” (includes video)
“Tutus have been replaced with bare chests and tights, pointe shoes have been tossed aside for slippers, and delicate décolletages have been swapped for beefed-up biceps. Once the traditional arena of lithe ladies, ballet is seeing an increasing number of all-male shows – in one of the biggest shake-ups in the history of the profession.” (includes video)
Collector Jonathan Demme Joins The Sellers
AJBlog: Real Clear Arts | Published 2014-03-10
Breaching The Fourth Wall
AJBlog: Dancebeat | Published 2014-03-10
Where One Looks for It, Evidence Will Be Found
AJBlog: PostClassic | Published 2014-03-10
Jazz Telepathy: Fred Hersch and Julian Lage
AJBlog: CultureCrash | Published 2014-03-10
Slipped Disc editorial: Why can’t anyone find the right word for Gerard Mortier?
AJBlog: Slipped Disc | Published 2014-03-10
“So exactly how long-running is the Charlottetown Festival production that plays at Confederation Centre in the greater scheme of things? Well, this season, Anne of Green Gables – which features music by Norman Campbell and words by Campbell, Don Harron, Elaine Campbell and Mavor Moore – by will be performed for a 50th consecutive summer in Charlottetown.”
“Four out of five will suffer a severe injury during the course of their dancing career — and two out of those four will never fully recover. Injuries, more often than not, are the result of fatigue and repeated strain on muscles and joints, rather than unpredictable accidents.”
“Formally severing Detroit’s ownership of the DIA would be at once revolutionary and conservative. It would represent a landmark in the the history of the museum, forever liberating it from the vagaries of city finances and politics at the root of many of the DIA’s struggles through the decades. Moreover, no city has ever ceded ownership of an art collection of such stature or financial value — estimates range in the billions.”
“The way media is changing isn’t entirely positive when it comes to creating a more informed citizenry. Now that we’ve made sharing information virtually effortless, how do we increase depth of understanding, while also creating a level playing field that encourages ideas that come from anywhere?”
“The independent federal agency said it intends to provide the nation’s exceptionally unskilled and deluded artists with cash grants ranging from $10,000 to $25,000 in order to sway them from continuing with their derivative and atrocious work, thereby significantly bolstering the overall quality of art in the United States.”
“In the 1940s, the Jazz Record Center became the default clubhouse for a cabal of distinctive gentlemen: exiles, recluses, characters so outsize in their eccentricities that they felt invented, except better. Here there was not a sense—as with the archetypal Outsider—that a choice had been made. Here, the earliest collectors of 78 rpm records found each other.”