Breakthrough On Artists’ Resale Rights: Copyright Office Reverses Itself
Source: Real Clear Arts | Published on 2013-12-13
Bye-Buy “Big-Box”: Amy Cappellazzo to Leave Christie’s
Source: Culturegrrl | Published on 2013-12-13
Grover Washington, Jr.
Source: RiffTides | Published on 2013-12-13
US orchestras: The good news
Source: Slipped Disc | Published on 2013-12-12
Beth Prevor on Diversity, Disability, and Feeling Alone in a Room of Peers
Source: New Beans | Published on 2013-12-12
Limelight, affiliated with the Australian Broadcasting Corporation and published by Haymarket Media, was going to close by the end of this week, following Haymarket’s decision to end its Australian operations. But a new publisher has been found.
Here are answers from half a dozen contributors: conductors Peter Phillips (The Tallis Scholars) and Harry Christophers (The Sixteen, Boston Handel & Haydn Society), a documentarian, an atheist, an archbishop, and a prominent rabbi. (And no, they did not walk into a bar.)
Christopher Orr fires back at the writers who took on his take-down of the movie last week (their critiques are “generous, thoughtful, and even wise … [but], inevitably, wrong”) – and he unpacks what he sees as the film’s worst storyline.
“Google has launched a new online tool to allow museums, galleries and individuals to create online art exhibitions. Google Open Gallery became available for public use this week, though potential users must request an invitation from Google to use the free service.”
Two early short films starring Sellers, and co-written by Mordecail Richler – “are to be shown in public for the first time in more than 50 years.” Yes, they were literally salvaged from a dumpster outside a film company’s offices.
“Ask John Cage in 1956, as the sculptor Richard Lippold did, to make a film and you take your chances.” (Pun intended.)
“English National Opera is to begin broadcasting productions live to cinemas – only 18 months after its artistic director, John Berry, suggested that he was far from enthusiastic about the idea.”
Was it that bad? Well, it certainly wasn’t smooth.
James Bennet: “I have had it with long-form journalism. By which I mean – don’t get me wrong – I’m fed up with the term long-form itself, a label that the people who create and sell magazines now invariably, and rather solemnly, apply to their most ambitious work.”
“The Musicians of the Minnesota Orchestra revealed details of 10 concerts they will produce and play between January and May.” Erstwhile music director Osmo Vänskä will conduct four of them, and a couple of very well-known soloists will perform for greatly reduced fees.
“The great French director, who died recently, took some persuading to do a play in London – and was seriously ill when he did. But the experience was life-changing, recalls the Young Vic’s artistic director.”
One of the Web’s more accomplished snarkmeisters argues that the push by some goody-goodies for more niceness on the Internet – for instance, the decision by BuzzFeed’s new books editor to avoid negative reviews, or, in Scocca’s opinion, almost anything Dave Eggers says – is worse than the problem it’s trying to address.
And, regarding Scocca’s attack on Eggers in particular, Gladwell looks at everything Eggers has done and says, “You have to be running pretty low on ammunition to look at someone like that and call him full of shit.”
Back in Texas for a family visit, the first American to graduate from the Bolshoi’s ballet school fills in some details on the explosive allegations she made (e.g., that she was asked to pay a $10,000 bribe to get cast) and the responses she has received in Moscow since she went public.
“My first five years [there] were amazing. … Then, slowly, difficulties started and I decided to leave. I didn’t want scandals: our profession is dancing, not politics. But the Bolshoi is still my home: I am from Moscow. For us, the Bolshoi was something holy. I just hope the theatre will find a way out of this.”
Last month, after the Russian Ministry of Culture installed the fired Bolshoi star Nikolai Tsiskaridze as director of the historic St. Petersburg school, a sizable group of faculty wrote an open appeal to President Vladimir Putin to overrule Tsiskaridze’s appointment. Now the Ministry has claimed that the letter is a forgery.
“The author of well over 100 volumes of fiction and nonfiction, Mr. Wilson became a sensation at 24, when The Outsider was published and instantly touched a deep nerve in postwar Britain.”
“Coke, if I may extend my musings further, is the closest thing that exists to a religion of Americana. Not an American religion, but a religion devoted to the idea of America – which is to say, to those Norman Rockwell scenes of homecoming, fly fishing, and presents under the tree.” Paula Marantz Cohen visits the high temple: The World of Coca-Cola in Atlanta.
“A £600,000 Cultural Investment Fund created by Newcastle City Council to attract match funding for the arts from private donors has failed to attract any money since its launch in July.”
“About half of Equity members undertook unpaid work in the past 12 months, with a similar proportion earning less than £5,000 over the year.”
“A Jewish family from San Diego that has been seeking to recover a painting by Camille Pissarro that a relative sold during the Holocaust has received a legal victory from a panel of judges who ruled this week that the family can pursue the case, reversing an earlier court decision that had favored the painting’s present owner.”
But they’re doing it differently this time around – and the companies involved include Google and SpaceX.
John Lahr: “[Barry] Humphries’s retirement marks the end of the vaudeville tradition, whose singing, dancing, and low-comic folderol he almost single-handedly carried into the twenty-first century.”
“[She] will return to Broadway in April in Eric Coble’s comedic play The Velocity of Autumn, which she recently performed at the Arena Stage in Washington in October.”
