Teens watch more TV than we – or they – may think.
“Long considered one of the most influential letters in the Roman alphabet, at the turn of the century E had originally been heralded as the signal letter in the digital world. But in recent years, the letter had suffered a series of debilitating setbacks that closely correlated with the rise of online applications. It died May 20, 2013.”
“Britain already had a world-class franchise, in the shape of the James Bond films – but they tend to only come along every three or four few years, whereas there were eight Potter movies in the space of a decade – which meant virtually continuous employment for literally thousands of film workers in this country.”
In a statement, the biennial’s president, Paolo Baratta, referred to Okwui Enwezor’s knowledge of the “complex phenomenon of globalisation”. The curator of Documenta 11 in Kassel, Enwezor has organised biennials from Seville to South Korea and the major travelling survey of post-war African art “The Short Century” (2001-02).
“The drawing of Isabella in the Louvre, on which the painting is clearly based, was done some time between late 1499 and March of 1500, when Leonardo was a guest at her court in Mantua. According to the newspaper, carbon dating of the painting conducted at the University of Arizona confirms that it was executed sometime between 1460 and 1650, placing it in a corresponding timeframe.”
“The century-old home of Egypt’s mummies and King Tutankhamun’s treasures is trying to make the best out of the worst times of political turmoil. But the Egyptian Museum is taking a hammering on multiple levels, from riots on its doorstep to funding so meager it can’t keep up paper clip supplies for its staff.”
“I couldn’t do anything else but drive a tractor. I felt like this is the only thing I had. … I don’t do it to get a message across. I’m writing just because there are certain kinds of raw material. The material may be very strange, but it takes shape in the course of writing. Whether that has a message or not is not my concern.”
“The bigger fight here is that if they can do this with our songs, with our lyrics, then they can do it with your Instagram photos, they can do it with your Facebook profile, they can do it with anything you put on your Web page without your permission. That’s what permissionless innovation is.”
“Imgur is shifting: from image host to user community to public destination. In that sense, it’s following the opposite trajectory of a Facebook or a Twitter or a similar sites – networks that are trying to become platforms. Imgur is a platform that is trying to become a social network.” (It’s pronounced “imager”, by the way.)
“At the time of this writing, there are sixteen thousand two hundred and seventy-seven days remaining in my life. I know this because an app I have installed on my phone tells me so. … And this is essentially the point of the app. It’s supposed to make you think like this – to terrify you into productivity, turning mortal dread into a procrastination preventative.”
“Differences in the way various languages talk about the present and future [i.e., verb tense] could help explain why Germans urge free-spending Greeks to adopt their fiscal discipline, and why Americans are baffled by China’s low consumption and high savings rates, according to research published [last spring].”
Artistic director Robert Battle, looking to expand the repertoire and stylistic range of a troupe that had become a bit predictable, engaged McGregor to stage his stark and hyperkinetic Chroma on the Ailey dancers. They’re the first non-classical group to perform the work – and (to McGregor’s happiness) the first that’s dark-skinned.
“He’s choreographed such musical hits as Rock of Ages, Dreamgirls, … and Blades of Glory. Now Kevin Wilson is taking on a new venture: choreographing what has been called ‘The Greatest Show on Earth.’ Wondering how this creative director pulls together a cast and crew that includes everything from clowns to a horse named ‘Comanche?’ We wondered, too.”