My latest installment of “More than Music” on NPR explores racial attitudes in Boston and New York at the turn of the twentieth century. During Antonin Dvorak’s historic American sojourn (1892-95), he was classified by Boston’s music critics as a “Slav” – a rung below Anglo-Saxons like Beethoven. The leading Boston critic, Philip Hale, also called Dvorak a … [Read more...] about “A Tale of Two Cities” — Music and Race in Boston and New York
Cultural Diplomacy in South Africa Continued: the University of Michigan Concert Orchestra Goes to Soweto
The Soweto audience erupts. Video by Mathew Pimental Among my most telling experiences of South Africa, when I first visited in 2023, was encountering a group of uniformed schoolchildren passing through security at the Johannesburg airport. They were all singing, beautifully and happily. It is a singing country. Jeremy Silver, Director of Opera at the University of Cape … [Read more...] about Cultural Diplomacy in South Africa Continued: the University of Michigan Concert Orchestra Goes to Soweto
American Cultural Diplomacy in South Africa Right Now, Courtesy of the University of Michigan
Video by Mathew Pimental At the precise moment that US President Donald Trump was accusing South African President Cyril Ramaphosa of denying acts of racial persecution, the University of Michigan Orchestra began a five-concert tour of South Africa with a smashing two and half hour program at the University of Pretoria. The main work on the program was a neglected … [Read more...] about American Cultural Diplomacy in South Africa Right Now, Courtesy of the University of Michigan
What Ails Today’s Metropolitan Opera? — It’s in the Pit
The current issue of the “New York Review of Books” carries my review of the Metropolitan Opera’s current “Aida” – a new production given fourteen times this season. It features one of the company’s heralded young stars – the soprano Angel Blue – and it’s mainly conducted by the Met’s music director, Yannick Nezet-Seguin. The result is tepid. As “Aida” is the … [Read more...] about What Ails Today’s Metropolitan Opera? — It’s in the Pit
Three Who Quit: Ives, Elgar, Sibelius and the Crisis of Modernism
The current "Musical Opinion" (UK) carries an essay of mine: “Three Who Quit: Ives, Elgar, Sibelius, and the Crisis of Modernism.” Strange bedfellows? Think again. Ultimately, my topic is the dead end afflicting twentieth century classical music. My final sentences read: “The dialectical tension between present and past, long the mainspring for musical creativity, has gone … [Read more...] about Three Who Quit: Ives, Elgar, Sibelius and the Crisis of Modernism