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Greg Sandow on the future of classical music

You are here: Home / Archives for Liza Figueroa Kravinsky

From Liza Figueroa Kravinsky: Living up to the hype

February 13, 2014 by Liza Figueroa Kravinsky

[contextly_auto_sidebar id="Q3lLIvq9OQOFPqtEqcFaEV5ajAx8rG11"] [From Greg: Full disclosure. I got to know Liza when she hired me as a consultant. But we worked only on a very modest plan to launch her project, a plan that turned out not to be needed. Maybe I encouraged her in some helpful way, but the stunning success she's been having comes from things she did entirely on her own. Go, Liza!]  In a series of  guest blogs, I've talked about my Go-Go Symphony,  a composition that combines original classical music with the go-go beat, Washington … [Read more...]

From Liza Figueroa Kravinsky: You scratch my back…

October 3, 2013 by Liza Figueroa Kravinsky

From time to time, Liza Figueroa Kravinsky has been guest-blogging here about how she's developing her Go-Go Symphony, an ensemble that combines classical music with Go-Go, the iconic dance music of Washington, DC.  One reason her group is unusual is that the crossover is rooted in the people involved. Instead of having, as I've sometimes seen, classical musicians playing in a pop style, pop musicians writing classical music, or shotgun marriages in which a pop artist guests with a classical group, without much true artistic interchange — … [Read more...]

from Liza Figuroa Kravinsky: Challenging an assumption

June 18, 2013 by Liza Figueroa Kravinsky

I am a composer in her fifties, so a New York Times article about how innovators get better with age piqued my interest. According to the article, The directors of the five top-grossing films of 2012 are all in their 40s or 50s. And two of the biggest-selling authors of fiction for 2012 — Suzanne Collins and E. L. James — are around 50… According to research, the age of eventual Nobel Prize winners when making a discovery, and of inventors when making a significant breakthrough, averaged around 38 in 2000, an increase of about six years … [Read more...]

From Liza Kravinsky: Go-go symphony marketing (1)

April 9, 2013 by Liza Figueroa Kravinsky

It's time for me to plan a marketing strategy for the go-go symphony, my composition that plays symphonic music over Washington DC's unique go-go dance beat. I figure that blogging about my thought process would help me think, so here we go. But first some basic information for the uninitiated: As I explained in more detail in my last blog post, go-go is a sub genre of funk that has been extremely popular in the Washington DC area since the 1970s, especially with African Americans. Its main feature is live swinging polyrhythm — endless … [Read more...]

From Liza Figueroa Kravinsky: More hope than you realize

February 20, 2013 by Liza Figueroa Kravinsky

[From Greg: Here's another guest blogger. I met Liza Kravinsky maybe a year ago, when she hired me as a consultant, to help her work out a strategy for launching the project she describes here. The things we talked about don't enter into her post; maybe they'll come up in later posts she might make, or maybe they won't. That doesn't matter, because what I loved was the project itself. And especially the way that it didn't simply combine pop and classical music — that's been done quite a lot — but also brought together pop and classical … [Read more...]

Greg Sandow

Though I've been known for many years as a critic, most of my work these days involves the future of classical music -- defining classical music's problems, and finding solutions for them. Read More…

About The Blog

This started as a blog about the future of classical music, my specialty for many years. And largely the blog is still about that. But of course it gets involved with other things I do — composing music, and teaching at Juilliard (two courses, here … [Read More...]

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How to write a press release

As a footnote to my posts on classical music publicists, and how they could do better, here's a post I did in 2005 -- wow, 11 years ago! --  about how to make press releases better. My examples may seem fanciful, but on the other hand, they're almost … [Read More...]

The future of classical music

Here's a quick outline of what I think the future of classical music will be. Watch the blog for frequent updates! I Classical music is in trouble, and there are well-known reasons why. We have an aging audience, falling ticket sales, and — in part … [Read More...]

Timeline of the crisis

Here — to end my posts on the dates of the classical music crisis  — is a detailed crisis timeline. The information in it comes from many sources, including published reports, blog comments by people who saw the crisis develop in their professional … [Read More...]

Before the crisis

Yes, the classical music crisis, which some don't believe in, and others think has been going on forever. This is the third post in a series. In the first, I asked, innocently enough, how long the classical music crisis (which is so widely talked … [Read More...]

Four keys to the future

Here, as promised, are the key things we need to do, if we're going to give classical music a future. When I wrote this, I was thinking of people who present classical performances. But I think it applies to all of us — for instance, to people who … [Read More...]

Age of the audience

Conventional wisdom: the classical music audience has always been the age it is now. Here's evidence that it used to be much younger. … [Read More...]

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