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Greg Sandow on the future of classical music

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Archives for 2007

Stress and Silence

February 5, 2007 by Greg Sandow

I should apologize for my silence on this blog for the past -- can it be? -- two weeks. Or maybe not. I'd have preferred to post, but (to bring up an issue more important than music, both for myself and others) I realized this fall that I'd been very stressed. My paying work, traveling, my teaching, this blog, meetings on future projects, composing, my online book...I've had a lot of balls in the air at once  and I noticed a lot of classic symptoms of stress. My mind racing at night, back pain, irritable bowels; and throughout it all, a … [Read more...]

Apology, and another question answered

January 17, 2007 by Greg Sandow

I'm sorry that I haven't posted all the recent comments yet. There were so many that I haven't been able to keep up with them. Many asked the questions I answered in my last post. And here's another question that people ask. Isn't the classical music audience larger than the concert audience? Don't many people buy recordings, and hasn't there been a surge lately of younger people downloading classical music? Yes to all of that. But none of it generates much revenue for classical music. Or, very crucially, much pay for classical musicians. … [Read more...]

Age footnotes

January 17, 2007 by Greg Sandow

It's going to take me a few days to go on with my "Where We Stand" series. I've had to deal with the start of the courses I teach on the future of classical music at both Juilliard and Eastman, which includes a lot of work preparing materials for each course. Every year I teach this course it changes, in part because I keep on learning more. The Juilliard course outline, for anyone curious, is here. (The Eastman course is shorter version of the Juilliard course, so it makes more sense to look at Juilliard.) Now's a good time, though, to talk … [Read more...]

Where we stand (3)

January 15, 2007 by Greg Sandow

Here I'll give the second of my reasons why I think the classical music era may be ending. The first was that the audience is disappearing. And the next reason is... 2. Classical music institutions may not be able to sustain themselves Prelude In my l last post, I showed that the classical music audience may well be disappearing. If that was really happening (or at least starting to happen), we'd expect to see a fall in ticket sales to classical events, and that in fact is going on. As I've said before, orchestra attendance has been … [Read more...]

Where we stand (2)

January 14, 2007 by Greg Sandow

My first post in this series got more comments, the first day it was online, than anything I've ever posted here. So now I'll give my argument in more detail. My thesis, as I've said, is that the classical music era -- which began around 1800, when the classical music world as we know it now began to take shape -- is ending. Why do I think that? Here are my reasons, starting here, and continuing in later posts. 1. The classical music audience is disappearing. The classical music audience is now, on the average, more than 50 years old. There's … [Read more...]

Where we stand (1)

January 11, 2007 by Greg Sandow

I've been doing historical research, as readers of this blog know. And finally I think I know enough to make some predictions. Or at least to speculate about the them. What I think I've found is that the present crisis is worse than most of us would think, and also that it's been brewing for a longer time than most of us have realized. This makes me think that the era of classical music is going to end. Not this year, not next year, maybe not in 10 years (though surely by then we'll see decisive signs of where we're going). But … [Read more...]

Rebirth

January 10, 2007 by Greg Sandow

My book -- Rebirth: The Future of Classical Music. For a while I unfolded it bit by bit online, posting drafts, or improvisations, or riffs on what the book might say. My idea was to promote the book, and to spread the ideas in it around. To get reactions to the ideas, and to how I put them. This was invaluable, but I was never quite happy with how the book unfurled. It seemed more like something improvised, than something planned, with structure and a goal. So now I'm rewriting. Look for the first chapter soon. I'm hoping to help build a … [Read more...]

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Greg Sandow

Though I've been known for many years as a critic, most of my work these days involves the future of classical music -- defining classical music's problems, and finding solutions for them. Read More…

About The Blog

This started as a blog about the future of classical music, my specialty for many years. And largely the blog is still about that. But of course it gets involved with other things I do — composing music, and teaching at Juilliard (two courses, here … [Read More...]

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How to write a press release

As a footnote to my posts on classical music publicists, and how they could do better, here's a post I did in 2005 -- wow, 11 years ago! --  about how to make press releases better. My examples may seem fanciful, but on the other hand, they're almost … [Read More...]

The future of classical music

Here's a quick outline of what I think the future of classical music will be. Watch the blog for frequent updates! I Classical music is in trouble, and there are well-known reasons why. We have an aging audience, falling ticket sales, and — in part … [Read More...]

Timeline of the crisis

Here — to end my posts on the dates of the classical music crisis  — is a detailed crisis timeline. The information in it comes from many sources, including published reports, blog comments by people who saw the crisis develop in their professional … [Read More...]

Before the crisis

Yes, the classical music crisis, which some don't believe in, and others think has been going on forever. This is the third post in a series. In the first, I asked, innocently enough, how long the classical music crisis (which is so widely talked … [Read More...]

Four keys to the future

Here, as promised, are the key things we need to do, if we're going to give classical music a future. When I wrote this, I was thinking of people who present classical performances. But I think it applies to all of us — for instance, to people who … [Read More...]

Age of the audience

Conventional wisdom: the classical music audience has always been the age it is now. Here's evidence that it used to be much younger. … [Read More...]

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