Archives for 2007

About why I think the Pittsburgh Symphony things I described are so good... I talked about a pre-concert happening, in which people in the audience could find musicians scattered in various places in the concert hall, playing excerpts from a Jennifer Higdon piece on the program that night. The listeners could talk to the musicians, ask them questions, get to know them. I said that would energize the audience, and make them more excited about the concert. But not simply because they now knew something about the piece! It's a classical music … [Read more...]

From one of my Eastman students, Jennifer Turbes, a violist. Like Erika Lange (whose comments I posted earlier), she wrote this in response to some questions I asked on a take-home exam. I'm posting it with her permission: I was recently detained in New York City in the midst of my DMA audition tour. A fine city to spend a few extra days but my experience was stressful rather than invigorating and relaxing. The one satisfying thing I did with my time was attend a symphony orchestra concert--the Minnesota Orchestra at Carnegie Hall. I'm a … [Read more...]

In answers to a comment a few posts ago, I made the mistake of saying I'd seen half-full houses at the Pittsburgh Symphony. That was true, but it happened a few seasons ago, and the orchestra is doing much better now. As I should have noted! I was both discourteous and inaccurate. The growth in both total audience and subscriptions in Pittsburgh has been pretty dramatic in the past couple of years, in fact. We could argue about whether this reverses the trend in the industry, since Pittsburgh is recovering from a larger drop in sales and … [Read more...]

I think we’re really on a roll here, meaning not just me, but readers, too, to judge from the comments I’ve been posting. Posts about good things — real changes happening — are heartening to write, and also seem to be heartening to read. So I’m really sorry that I have to call a brief halt. I’m going away for a short vacation in the sun, as I do around this time every year. While I’m gone, I won’t be going near computers or e-mail, so I won’t be posting, and won’t be able to post comments, either. I’ll be back next Wednesday, and then I’ll … [Read more...]

The good news, from a Playbill Arts piece linked on ArtsJournal today: the Baltimore Symphony’s reduced-price subscription plan seems to be working, maybe even spectacularly. The Baltimore Sun reports that when the box office opened last Saturday morning (March 3), about 150 people were already in line at Meyerhoff Symphony Hall, ready to snap up the tickets [writes Vivien Schweitzer, who also reviews music for The New York Times]. Music director-designate Marin Alsop was on hand to give out doughnuts to the eager subscribers.… Charles … [Read more...]

My Eastman students  (here’s a link to the course I taught) have been writing some terrific final papers. Here’s part of one by Erika Lange, posted of course with her permission. A delight to read, and important as yet another example of how classical music’s future is already here (or, maybe in this case, coming very fast): As a performer of classical music, one would think that I would feel completely at home in a classical concert, but this is not always the case. At times even I feel uncomfortable in the stuffy atmosphere of the concert … [Read more...]

The future of classical music is already here. New ways of doing things are springing up everywhere. It’s exciting, and tremendously hopeful. Many of these new things have proved themselves. They’re no longer experiments; they’re a concrete look at the future. But one problem is that not enough people know about them. These things sprout up individually. There isn’t anywhere you can go — no website, no institution, not even any individual — to find out about them. Information spreads by word of mouth. Often enough, even the people doing these … [Read more...]

This came in an e-mail from John Steinmetz, who’s often made comments on blog posts. John had trouble posting it as a comment (sorry, John), and I thought it might as well be a post by itself. I love its good sense, good cheer, and also the necessary dose of realism. Maybe there used to be a sense that there was One Right Way to present classical music—one right repertory, one right standard of quality, and one right way to be an audience member—but there is no longer one right anything. Shifts like this are happening … [Read more...]

Faithful readers know I’ve said a lot in this blog — here, here, and here, for instance — about the drastic problems that the mainstream classical music world is likely to face in the not so distant future. But I’m always looking for a shorter way to say it. Especially when I’m speaking in public, or semi-public (to a conservatory class, for instance) — not many people want to hear complex statistics. It’s better to cut to the chase. And at last I’ve come up with something. Here it is: The classical music audience is going to shrink, and … [Read more...]

Here's something I'm told (by a highly reliable source) that Peter Gelb said, at the press conference last week, at which he announced what the Met will do next season. He said that when he started his job, the Met's subscribers were 65 years old -- and that this age this age had shot up from 60 in the five years before that. This, Peter said, he took as a wakeup call. The audience was aging, rapidly; something had to be done. And of course if anyone has such data -- please let me know! I'll post it here immediately. … [Read more...]

The Apple Store A month or so ago I went to the Apple Store in New York to buy a new iPod. (I dropped mine in the toilet. Don't ask!) And the store was a revelation. It's not just a store. It's a destination. It's packed with people. Some are shopping. Some are just trying out computers and iPods, which are available in great numbers for people to play with. And some people are just hanging out. Some bring their computers, and seem to be sitting on comfortable padded benches, working. When I bought my iPod, I didn't have to wait on a checkout … [Read more...]

From Marie Finnegan, a classical music fan "in snowy Maine" (as she says): HI Greg, I found your blog this morning and wanted to share a few thoughts. I am a 39 beginning flute player. I played tenor sax back in high school so music isn't completely new to me. Classical music as an interest is, however. My band instructor wasn't a great motivator or teacher of classical music. (Actually he lacked many talents and the band sadly shrunk because of it.) Our "band" also lacked a string section. (we were 12 to 20 strong on a good day) I came … [Read more...]

In the old days -- which I used to think meant the 18th and 19th centuries -- pianists used to improvise introductions to pieces they played. This was called "preluding," and gave rise to the short, freeform pieces we call "preludes" (like Chopin's), which were written-out versions of the kind of music pianists might improvise. But now I've learned that pianists preluded well into the 20th century. And that there are recorded examples, from old-time like Josef Hoffman and Wilhelm Backhaus! I guess I'm late in learning this, because many people … [Read more...]

Something wonderful in Andrew Druckenbrod's Pittsburgh Post-Gazette piece on applause...and no, not simply what he and various Pittsburgh Symphony musicians say about how people in the audience should feel free to clap between movements. And maybe even during the music. No, what struck me even more was Andy's many links to musical examples, which bring to life so many things he talks about. He even includes both live and studio recordings of "Un beldi," from Madama Butterfly, to show what happens when people applaud over the orchestral … [Read more...]

My 80 gig video iPod, and my Shure E5-C headphones. I've had Etymotic headphones, which I'd swear were the best in-ear earbuds I could possibly hear, but the Shures (a Christmas gift) outdo them, both in how well they isolate outside noise, and in their sound. It's so rich and detailed that at first it sounded almost phony -- too real, too rich. But then I got used to them. Perfect for planes. Two downsides, though. To get them to stay in place, you have to loop the cord over your ears, which takes a long moment, and can be a little cumbersome. … [Read more...]