Saddened that bassist Charnett Moffett has died of a heart attack at age 54, I post this appreciation — also serving as a profile — written in 2013 to annotate his solo bass (!) album The Bridge, which he described as “my most personal and challenging release so far.” Solo bass records are rare, and […]
Four months of jazz adaptation, resilience, response to epidemic
In early March – only four months ago – I flew between two of the largest U.S. airports, O’Hare and JFK, to visit New York City. I stayed in an East Village apt. with my daughter and a nephew crashing on her couch. We ate barbecue at a well-attended Jazz Standard performance by drummer Dafnis […]
Transcending Toxic Times with street poetry & music
My DownBeat article about Transcending Toxic Times, the compulsively listenable, critically political album by the Last Poets produced by electric bassist/composer Jamaaladeen Tacuma, includes a lot of quotes from my interviews with him and poet Abiudon Oyewale. I reproduced some of the searing imagery/lyrics on the recording, and provided background on how these men have […]
Jazz Congress, Winter JazzFest, shape of jazz to come
The first Jazz Congress co-hosted by Jazz at Lincoln Center and JazzTimes magazine Jan 11 and 12, 2018 and the 14th annual Winter JazzFest Marathon produced in downtown Manhattan Jan 12 and 13, offered contrasts and prompted crosstalk. It wasn’t like these were conventions of different parties, but different narratives were going down. The Congress’s sessions […]
Great new jazz photography — Dee Kalea’s campaign
Dee Kalea of Creative Music Photography is old school, in that she’s created black and white images of jazz musicians in performance, closeup, usually one-to-a-frame. The passion she’s captured, however, is timeless. How she became alert to the precise moment of creative rapture, and intimate with the music beyond the musicians themselves, is a story […]
Ornette Day, bits of wisdom with video clips
Ornette Coleman’s birthday is today, and his son Denardo has invited everyone to a walk with him from noon to three in Woodlawn Cemetery in the Bronx, where his father, the prophet of Harmolodics, is interred near Duke Ellington, Miles Davis, Max Roach, Celia Cruz — a very good neighborhood. In Ornette’s honor here are excerpts of […]
Last glance 2010: great performances and best beyond jazz
There’s not much time left, so here are three of my best memories of live music over this crazy year, and a couple handfuls of favorite recordings that promise to be listenable for quite a while forward —
If videos of Sonny are removed, will the legend grow?
Gone from Youtube are two brief but vivid excerpts from Sonny Rollins’ 80th birthday concert at the Beacon Theater on Sept. 10 — one showing the great tenor saxophonist in duet with percussionist Sammy Figueroa, the second documenting the surprise, climactic contributions of Ornette Coleman to the set, and Rollins’ inspired improvised responses. What a […]
Video for fans of Sonny Rollins & harmolodics
Too good to not post: Ornette Coleman was surprise guest with Sonny Rollins at his fast-become-famous Beacon Theater 80th birthday party on September 10 (backstage there was birthday cake shaped like a saxophone, made of marzipan). Note SR’s quote at about 10 minutes in of “I’ll Take Manhattan,” which he certainly did. [[As of 9/15/2010 […]
Sonny the sax king
At age 80, Sonny Rollins is indisputably the greatest living jazz tenor saxophonist, proved last night throughout a 2-hour set at New York’s sold-out Beacon Theater in which harmolodic sage Ornette Coleman sat in, backed by drummer Roy Haynes and bassist Christian McBride, on “Tenor Madness.” “Sonnymoon For Two”. Rollins was hunched and hobbled when he […]
Italy here I come
The Siena Jazz Workshop has me present my book Miles Ornette Cecil – Jazz Beyond Jazz (buy it for your Kindle!) Sunday, July 25 at 10 am (yes, in Siena, Italy). Can you suggest unmissable music in Tuscany (or Vetirbo through July 31?
Happy Birthday Ornette Coleman, roots avant-gardist
Composer, conceptualist and multi-instrumentalist Ornette Coleman, b. March 9 1930, is widely known for “free jazz” — which is routinely depicted as the most abstract and daunting music to emerge from the U.S. But this overlooks Ornette’s deep roots in blues from the Southwest and his fealty to the freedom of expression, mobility and individuality […]
Breadth-of-jazz radio WKCR fetes Ornette, Bix
Next week WKCR-FM 89.9 www.wkcr.org, promises all-day music of Ornette Coleman and Bix Beiderbecke, linking the “free jazz” iconoclast (turning 80 Mar 9) to the Roaring ’20s jazz-mad kid cornetist/pianist (who would be 107 on March 10, if he hadn’t drunk himself to death at age 28 in 1931). Mark your calendars now!