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Straight Up | Jan Herman

Arts, Media & Culture News with 'tude

Speaking of Hans Magnus Enzenberger . . .

June 10, 2018 by Jan Herman

His poem “last will and testament”  begins: “get your flag out of my face, it tickles!” Jerome Rothenberg’s appealing translation from the German continues:

Hans Magnus Enzensberger

and get that tinny wreath off my chest, it’s rattling too much;
toss it over with the statues on the garbage heap,
and give the ribbon to some biddies to doll themselves up with.

The poem goes on in that fed-up vein for another 15 lines and ends like this:

as for the resurrection of the flesh however and life everlasting
i will, if it’s all the same to you, take care of that on my own;
it’s my affair, after all. live and be well!

here’s a couple of butts left on the dresser.

It’s hard to beat the mockingly humorous flavor of that poem with its hint of Yiddish in Rothenberg’s rendering. Now for another tone — the elegiac without a hint of the lyrical, which would have been a violation — in “The Vanished.” Dedicated to Nelly Sachs, who fled Nazi Germany and whose body of writings was suffused by the Holocaust, “The Vanished” surely signals for its translator, Rita Dove, another kind of holocaust, the centuries-long American holocaust of black slavery.

Script text © by Gerard Bellaart. (Click to enlarge.)

Translated by Rita Dove. (Click to enlarge.)

'Die Verschwundenen' © by Hans Magnus Enzensberger

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Filed Under: Art, Literature, main, News, political culture

Comments

  1. Jay Jones says

    June 11, 2018 at 1:52 pm

    Thanks; that made my day.

    • Jan Herman says

      June 11, 2018 at 2:04 pm

      Glad of that. And gracias for saying so.

Jan Herman

When not listening to Bach or Cuban jazz pianist Chucho Valdes, or dancing to salsa, I like to play jazz piano -- but only in the privacy of my own mind.
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