When syntax re-enacts meaning:
” … expect nothing / be surprised …”
Arts, Media & Culture News with 'tude

This book by Udo Breger depicts encounters with Gysin, shared journeys between London, Paris, Basel, Amsterdam, and New York, as well as conversations, projects, and moments that paint a portrait of this extraordinary man. It is a personal document, a space for remembrance, and at the same time an invitation to rediscover Gysin.
by Jan Herman

When a book such as this comes across the transom, my staff of thousands urges me to post a notice, even though I am far from an informed reviewer of graphic books. What I can do is extract some of the images to offer an impression of the artwork. The entire book dazzles the eye, while the story documents the life.
by Jan Herman
by Jan Herman
by Jan Herman
by Jan Herman
by Jan Herman
by Jan Herman
by Jan Herman
by Jan Herman
by Jan Herman
by Jan Herman
by Jan Herman
by Jan Herman
by Jan Herman
by Jan Herman

When Brion Gysin “let the mice in” — the title he gave his book about cutups — I don’t think he meant the many artists he influenced, among them William S. Burroughs, his most important associate, who once said Gysin “is the only man I have ever respected.” I believe Gysin meant that “any number can play.” His was a democratizing influence.
an ArtsJournal blog