When syntax re-enacts meaning:
” … expect nothing / be surprised …”
Arts, Media & Culture News with 'tude

This book by Udo Breger depicts encounters with Gysin, shared journeys between London, Paris, Basel, Amsterdam, and New York, as well as conversations, projects, and moments that paint a portrait of this extraordinary man. It is a personal document, a space for remembrance, and at the same time an invitation to rediscover Gysin.

When William Jennings Bryan died, in 1925, H.L. Mencken wrote the most devastating obituary of an American politician you’ll ever read—and that includes Hunter S. Thompson’s farewell to Nixon. All you need to do is substitute “Trump” for “Bryan” to see how snug the fit will be when Trump takes his permanent leave.
by Jan Herman
by Jan Herman

When a book such as this comes across the transom, my staff of thousands urges me to post a notice, even though I am far from an informed reviewer of graphic books. What I can do is extract some of the images to offer an impression of the artwork. The entire book dazzles the eye, while the story documents the life.
by Jan Herman
by Jan Herman
by Jan Herman

I met Jim Harrison only once, in 1968, when we were on a “little magazine” panel with Russell Banks, Anne Waldman, and Charles Newman. Even then Harrison was a “character,” a voluble personality who cut quite a figure.—wore a rakish straw hat, a black patch on his blind left eye, and sported a hand-carved walking stick.
by Jan Herman
by Jan Herman
by Jan Herman
by Jan Herman
by Jan Herman

My two years of high school Latin got me to Julius Caesar’s account of his exploits in the Gallic war, written in a straightforward, rather simple style. Unfortunately, I never took third-year Latin, which would have got me to Cicero, whose style was more sophisticated, more complex, and thus more difficult. But I have read Cicero in English and his words of wisdom are eminently clear.
by Jan Herman
by Jan Herman

UPDATED:
Colin Asher is “a calm and sophisticated storyteller who picks you up and sets you back down in places you didn’t anticipate,” NY Times book critic Dwight Garner writes. He calls “The Midnight Special” “a fog-piercing down-bound train of a book” that “underlines sheer human resiliency.” The Observer says Asher’s new book will “transform” the way you see art. Booklist calls it “mesmerizing.” Publisher’s Weekly likes it; Alex Gershman dives deep into the book on his YouTube Channel; Maurice Chammah drills down on Ike White, one of the book’s featured musicians, in a discussion with Asher at The Marshall Project.
an ArtsJournal blog