Community engagement sometimes begins as an attempt to accomplish a specific task–mount a festival, put on what is considered to be a performance relevant to community interests (note the construction of that phrase!), or, ahem, satisfy the requirements of a grant. By now, readers of Engaging Matters understand that any attempt to employ community engagement to achieve an organizationally-envisioned end result is, as I have heard described, bass … [Read more...]
Two-Phase Engagement
Community engagement practitioners are frequently asked to justify their work using traditional arts marketing/development metrics: ticket sales and donations. Don't get ahead of me. This is not a touchy-feely objection to practical outcomes. Ticket sales and donations as well as grants from "unusual suspects" and friendlier public policy for the arts are all results of effective community engagement . . . eventually. However, when anyone in any … [Read more...]
Changes
This month I reach what the Social Security system thinks is my "full retirement" age. Knowing this was coming, I have been reflecting on the future of both Engaging Matters and of my business, ArtsEngaged. In August of this year Engaging Matters will be seven years old. For the first two years I posted twice a week. When that nearly killed me, I cut back to once a week, give or take time off for holidays. I continue to enjoy thinking and … [Read more...]
From the Q & A
In March I participated in the Intersections Summit hosted by Milwaukee Repertory Theater. It was a gathering of community engagement practitioners from theaters (mostly) across the U.S. Prompted by the event, I have previously commented on the meanings of the word engagement (The Problem of “Engagement”) and concern for justice and equity in engagement work (Justice and Engagement). This time, a couple of comments from a question and answer … [Read more...]
Justice and Engagement
In March I participated in the Intersections Summit hosted by Milwaukee Repertory Theater. It was a gathering of community engagement practitioners from theaters (mostly) across the U.S. As frequently happens, the conference sparked a number of thoughts. Last week I began by reflecting on the meanings of the word engagement. (The Problem of “Engagement”) In the opening keynote Carmen Morgan, a gifted diversity/equity/inclusion speaker and … [Read more...]
The Problem of “Engagement”
In March I had the privilege of participating in the Intersections Summit hosted by Milwaukee Repertory Theater. It was a heady gathering of community engagement practitioners from theaters (mostly) across the U.S. As frequently happens, the conference sparked a number of thoughts. One has to do with the essence of the convening, the word "engagement." Engagement is a problematic word; the way it gets used frequently prevents people from … [Read more...]
Systemic Privilege Revisited
In Systemically Privileged, I floated an idea. I discussed the difficulty I've had over the years in describing the kind of nonprofit arts organization most in need of developing authentic community connections. My suggestion to myself went as follows: Recently I have begun to experiment with a new label. The issue here is the historic preference given to presenters of a particular cultural tradition in the context of a rapidly diversifying … [Read more...]
Communities of Necessity
As part of the community engagement planning process virtually every arts organization has to make choices about which communities they want to seek out as partners. (We are talking here about new communities. Current stakeholders should, of course, be the first community with which to engage more fully.) In almost every circumstance it has been my practice to recommend minimizing the "degrees of separation." That is, go first to communities with … [Read more...]
Chillin’
I know I'm the only person who is really interested in what I am going to say here, however, on the off chance that anyone notices, I'm taking a couple of weeks to sit on a beach in Belize. (Yes, the very one pictured here. It's a photo I took myself some years ago.) Internet access is limited plus I just don't wanna think all that much when I'm down there! When I do choose to ruminate, I may give a bit of thought to the future of this blog and … [Read more...]
Post-Racial? Puhleeze!
I recently attended a production of Our Town presented by Triad Stage, a professional theater company based in Greensboro, NC. It had been decades since I had seen the play but I've always had a soft spot in my heart for it. I thought it was very well done, but this is not a review. What this is is an observation that resulted from the casting. Triad Stage has for years made an effort to diversify its casting and their Our Town was no exception. … [Read more...]