Archives
Monthly Archives
- 2011.12.09: Restoring the drama to El Amor Brujo
- 2011.11.30: Siegfried at the Met
- 2011.11.28: Presenting Mahler's Marriage
- 2011.11.08: Ives the Man
- 2011.09.06: Gershwin Impurities
- 2011.07.10: The Ives Project
- 2011.07.06: Rachmaninoff in Texas
- 2011.06.27: Mahler in Texas
- 2011.06.18: Improvising Stravinsky
- 2011.05.31: Something New and Necessary for Orchestras
- 2011.05.01: Schubert on the Trombone
- 2011.04.25: Interpreting Stravinsky (continued)
- 2011.03.07: Lou Harrison and the Great American Piano Concerto
- 2011.02.28: Bruckner and Religion
- 2011.02.20: Nixon in China at the Met
- 2011.02.17: What the embattled NEH does for education: a case in point
- 2011.02.13: Pittsburgh and Tchaikovsky
- 2011.02.13: Eavesdropping on Tchaikovsky's Russia
- 2011.01.26: The Gershwin Moment (continued)
- 2011.01.06: The Greatest Vocal Recording of All Time, etc.
- 2010.12.05: The Detroit Symphony, Service Exchange, and "Full-Time" Jobs
- 2010.11.15: Re-Inventing Bernstein; Re-Inventing City Opera
- 2010.11.08: Rheingold, Boris, and Artistic Miscalculation at the Met
- 2010.09.28: The Singularity of Gershwin
- 2010.09.20: Santa Fe Opera Update
- 2010.08.13: Did Dvorak Compose "Deep River"?
- 2010.08.10: Swapping Horowitz for Arrau
- 2010.08.05: Reinventing the Orchestra: The Role of Education
- 2010.07.18: In the Ear of the Beholder
- 2010.06.27: Gershwin, Stravinsky, Harrison festivals
- 2010.06.13: The Uses of Culture
- 2010.06.01: Ligeti, the New York Phil, and finding stage directors for opera
- 2010.05.26: The NEA Music Critics Institute and a Cultural Sea Change
- 2010.05.11: Jeremy Denk and the Non-Russian Stravinsky
- 2010.05.09: Rehearing Stravinsky's War Symphony
- 2010.05.03: Stravinsky, Self-Denial, and Self-Renewal
- 2010.04.26: One Reason Critics Matter
- 2010.04.18: Rescue Attempt for a Major Dance Work
- 2010.04.11: How Performable Is Verdi at the Met? -- Continued
- 2010.04.04: How Performable is Verdi at the Met?
- 2010.03.29: Stravinsky, the New York Philharmonic, and Program Music
- 2010.03.25: The Nose, The Trojans, and Issues of Popularity
- 2010.03.16: The Stokowski Conundrum
- 2010.03.14: Rrecuperating from The Trojans
- 2010.03.13: The Greatest Present-Day Liszt Pianist
- 2010.03.09: Reconnecting with Spanish Modernism -- and The Problem of de Larrocha
- 2010.03.02: "Copland and the Cold War" on Campus
- 2010.02.21: Pearl Harbor music: Weill and Schoenberg
- 2010.02.18: Liszt and Improvisation
- 2010.02.16: Bernard Herrmann and Musical Topography
- 2010.02.08: Visuals in the Concert Hall
- 2010.02.04: Choreographing Carmen: Wheeldon vs. Mamoulian
- 2010.02.01: Horowitz on Horowitz on Horowitz on Horowitz: A Recantation
- 2010.01.29: Why Memphis Matters to Every American Orchestra
- 2010.01.23: Looking Beyond the Cleveland Strike
- 2010.01.20: Dvorak Teacher-Training
- 2010.01.17: Introductory
- 2006.06.18: The Unanswered Question
- 2006.06.18: Joseph Horowitz
- 2006.06.17: Contact me
Category Monthly Archives
About
The Unanswered Question When a few years ago Doug McLennan invited me to write an ArtsJournal blog, I thought about it and said no. Having been born as long ago as 1948, I remain somewhat a stranger to the internet. And, as I am always writing a book (a form of therapy) when I am not producing concerts, I felt I didn't have the time.
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Joseph Horowitz I pursue parallel careers as a scholar/writer and concert/producer. As Executive Director of the Brooklyn Philharmonic in the 1990s, I was a pioneering creator of humanities-infused public programming ("Dvorak and America," "The Russian Stravinsky," "American Transcendentalists," etc.). As curator of the Pacific Symphony's annual American Composers Festival, I've designed two-week festivals around Lou Harrison, William Bolcom, "Copland and Hollywood," Chinese-American composers, etc. My three-week New Jersey Symphony "Winter Festivals" included "American Roots" and "Dvorak and America." My current clients include the New York Philharmonic and the Pittsburgh Symphony. more
Contact me Click here to send me an email...
more
Joseph Horowitz I pursue parallel careers as a scholar/writer and concert/producer. As Executive Director of the Brooklyn Philharmonic in the 1990s, I was a pioneering creator of humanities-infused public programming ("Dvorak and America," "The Russian Stravinsky," "American Transcendentalists," etc.). As curator of the Pacific Symphony's annual American Composers Festival, I've designed two-week festivals around Lou Harrison, William Bolcom, "Copland and Hollywood," Chinese-American composers, etc. My three-week New Jersey Symphony "Winter Festivals" included "American Roots" and "Dvorak and America." My current clients include the New York Philharmonic and the Pittsburgh Symphony. more
Contact me Click here to send me an email...
more
AJ Blogs
AJBlogCentral | rssculture
About Last Night
Terry Teachout on the arts in New York City
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
rock culture approximately
critical difference
Laura Collins-Hughes on arts, culture and coverage
Laura Collins-Hughes on arts, culture and coverage
Dewey21C
Richard Kessler on arts education
Richard Kessler on arts education
diacritical
Douglas McLennan's blog
Douglas McLennan's blog
Dog Days
Dalouge Smith advocates for the Arts
Dalouge Smith advocates for the Arts
Flyover
Art from the American Outback
Art from the American Outback
lies like truth
Chloe Veltman on how culture will save the world
Chloe Veltman on how culture will save the world
Life's a Pitch
For immediate release: the arts are marketable
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
No genre is the new genre
Performance Monkey
David Jays on theatre and dance
David Jays on theatre and dance
Plain English
Paul Levy measures the Angles
Paul Levy measures the Angles
Real Clear Arts
Judith H. Dobrzynski on Culture
Judith H. Dobrzynski on Culture
Rockwell Matters
John Rockwell on the arts
John Rockwell on the arts
State of the Art
innovations and impediments in not-for-profit arts
innovations and impediments in not-for-profit arts
Straight Up |
Jan Herman - arts, media & culture with 'tude
Jan Herman - arts, media & culture with 'tude
dance
Foot in Mouth
Apollinaire Scherr talks about dance
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...
Tobi Tobias on dance et al...
jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...
Doug Ramsey on Jazz and other matters...
media
Out There
Jeff Weinstein's Cultural Mixology
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...
Martha Bayles on Film...
classical music
Creative Destruction
Fresh ideas on building arts communities
Fresh ideas on building arts communities
The Future of Classical Music?
Greg Sandow performs a book-in-progress
Greg Sandow performs a book-in-progress
Overflow
Harvey Sachs on music, and various digressions
Harvey Sachs on music, and various digressions
PianoMorphosis
Bruce Brubaker on all things Piano
Bruce Brubaker on all things Piano
PostClassic
Kyle Gann on music after the fact
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds
Norman Lebrecht on Shifting Sound Worlds
The Unanswered Question
Joe Horowitz on music
Joe Horowitz on music
publishing
book/daddy
Jerome Weeks on Books
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera
Scott McLemee on books, ideas & trash-culture ephemera
theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off
Wendy Rosenfield: covering drama, onstage and off
visual
Aesthetic Grounds
Public Art, Public Space
Public Art, Public Space
Another Bouncing Ball
Regina Hackett takes her Art To Go
Regina Hackett takes her Art To Go
Artopia
John Perreault's art diary
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Lee Rosenbaum's Cultural Commentary
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