recommendations: November 2006 Archives

One More: The Summary, Music of Thad Jones, Vol. 2 (IPO). To name the players is to indicate the quality of this project: Eddie Daniels, Richard Davis, Benny Golson, Hank Jones, James Moody, John Mosca, Jimmy Owens, Kenny Washington and Frank Wess. Assembling all-stars is no guarantee of success, but most of these men worked with Jones in the Thad Jones-Mel Lewis Jazz Orchestra, love his music and deeply understand it. They give "Little Pixie," "Three and One," six other Jones compositions and Jerome Richardson's "Groove Merchant" everything they've got. They've got plenty, and it is as much in evidence here as it was in Volume 1 with a slightly different cast.

Ruth Naomi Floyd, Root to the Fruit (Contour). Ms. Floyd is a Philadelphia church singer whose jazz connections and finely tuned musicianship are as organic to her art as are her Christian convictions. In her fifth album, she leads ten musicians including saxophonist Gary Thomas, drummer Ralph Peterson, bassist Tyrone Brown and the incredible flutist James Newton. Songs like "Mere Breath" and "The Bottle of Tears" disclose her as a solid composer and lyricist whose work holds up well in the company of pieces by Randy Weston, Mary Lou Williams and Antonín Dvořák. The control, phrasing and inflections of her creamy mezzo-soprano voice make Ms. Floyd one of the most compelling singers of the day, regardless of idiom.

BED, Bedlam (Blue Swing). BED is the acronym for vocalist Becky Kilgore, guitarist Eddie Erickson and trombonist Dan Barrett. The group also includes bassist Joel Forbes, but the name BEDJ wouldn't make much sense. What does make sense is Ms. Kilgore's sunny, flawlessly in-tune singing and the way she interacts with the easy-going playing and occasional singing of her three co-conspirators in the art of delivering fine songs. BED's repertoire includes great standards and some unusual entries: a banjo medley of tunes from "Oklahoma," for instance. And when is the last time you heard "My Canary Has Circles Under His Eyes?"

Debra DeSalvo, The Language of the Blues (Billboard Books). From "Alcorub" to "Zuzu," Ms. DeSalvo combines solid research with humor, insight and straightforward description to explain the often arcane terms that populate blues songs. You may have an idea about the various meanings of "easy rider," but how about "faro," "biscuit," "cooling board?" "Mojo" gets two full pages. The book is more than a dictionary; it's a lesson in the Southern black culture that took root in rural blues and spread throughout the world. That's no woofin' (page 158).

The Heath Brothers, Brotherly Jazz (DanSun). Part documentary, part concert, this engrossing film about the celebrated Philadelphia brothers was shot a year before elder brother Percy Heath died in 2005. Their life stories are varied--Percy the fighter pilot who became a major bassist--Jimmy, the saxophonist who transformed himself from an addict into one of the great arrangers--Tootie, the drummer who says his older brothers saved him from a possible future as a doctor or lawyer. They play for producer Danny Scher's cameras in one of their last gigs together. Sonny Rollins, Herbie Hancock and Percy's fishing buddy Peter Jennings make appearances. The archival footage includes film of Dizzy Gillespie and Charlie Parker, early colleagues of the Heaths.