Zut Alors!

NoSilence

I am told that my copy of the French translation of No Such Thing as Silence - titled No Silence: 4'33" de John Cage (Allia Editions) - is in the mail. UPDATE: The French edition, which has arrived, is very classy, and is decorated with hundreds of photos of Cage, Tudor, Rauschenberg, Coomaraswamy, and others that weren't in the more austere American edition. Perhaps I should just publish my Ives book in French, they seem to have the money.   … [Read more...]

The Disappearing Publisher

It's almost official: my next book will be The Arithmetic of Listening: Tuning Theory and History for the Impractical Musician. I had given up trying to interest publishers in microtonality, but it seems to finally be an idea who's time has come. This will be basically a textbook, though in my characteristic style which the New York Times has designated as "chatty." There are worse words, I guess. And yet I'm not in any hurry to sign the contract. I haven't yet turned in my Concord Sonata book, which has been finished for weeks, because the … [Read more...]

New, Improved Tuning Examples

My good friend Anne Garland, wife of songwriter David, gave me some html code with which to make my Just Intonation Explained page far more convenient and practical by embedding the mp3s so that they don't jump to a new page to play, and you can keep reading the text while listening. She warned that it doesn't work on all browsers, and so if any of you find you can't access the recorded examples, please let me know and I'll put the original version back up as an alternative. This is going to open up a lot of possibilities: I've been considering … [Read more...]

Birthplace of Another Sonata

Rocky Trail

In the earliest years of the 20th century, Charles Ives was working for Charles H. Raymond & Co. insurance company in Wall Street. On weekends he would escape the city to Pine Mountain, a beautiful nature reserve south of Danbury where the Ives family owned land, in order to compose there. Some of his early works are marked with the notation "Pine Mountain," including the First Piano Sonata, whose earliest sketch is dated Aug. 4, 1901. And today there is a long trail through the Pine Mountain nature reserve called the Ives Trail, running … [Read more...]

Nothing Changes

The gold of Beethoven's day, of which he was himself the purest nugget, comes down to us bright and untarnished, so that we forget all the dross that has been thrown on the scrap-heap of time. Our own gold is almost hidden from us by the glitter of the tinsel. The world of music, says Sir Charles Stanford ["Pages from an Unwritten Diary"], is not substantially different from what it has been. It has always exalted those of its contemporary composers who dealt in frills and furbelows above those who considered the body more important than its … [Read more...]

Other Freakin’ Options Available

I like this interview with Branford Marsalis in the Seattle Weekly, and completely agree with him: You put on old records and they always sound better. Why are they better? I started listening to a lot of classical music, and that really solidified the idea that the most important and the strongest element of music is the melodic content. In jazz we spend a lot of time talking about harmony. Harmonic music tends to be very insular. It tends to be [like] you're in the private club with a secret handshake. I have a lot of normal friends. … [Read more...]

Perverting the Young, Microtonally

A couple of summers ago I had the odd idea of writing some simple microtonal pieces for kids, and maybe calling them "Nursery Tunes for Demented Children." I had forgotten about them (odd how often I forget pieces I've written) and ran across them today, found I had completed two. I had been wanting to use some complex scales in a simple context, and maybe also thought that if kids were exposed at a tender age to something other than the 12-pitch scale they might grow up as weird as I am. Here they are: Down to the End of the … [Read more...]

A Necessity Outlived

This is a rather idle comment, so don't take it too seriously and get all outraged. I'm sitting here putting in, and fixing, footnotes in my book. I try to put them in as I'm first writing, but sometimes I write one from memory and don't pause to look it up; or I find it in another book and don't have the original book to look it up in; or I'm quoting something I had used in a less scholarly publication; or I'm just on a tear and don't want to pause for footnotes. So I'm making a final pass, and I see an incomplete footnote. It's from a book I … [Read more...]

I Mingle with Beyoncé and Kim Kardashian (Whoever They Are)

Star-Ballads

Well, I don't know how he did it or who got paid what, but David First somehow got me mentioned in People magazine. It's in connection with his Star Ballads band that my son Bernard plays in, and someone thought People readers would gain some kind of helpful context from knowing that Bernard is the son of a theory professor. That does it. Now I'm going to get David's name in The Journal of Music Theory.   … [Read more...]

Shucks, It Weren’t Nothin’

bard-college

Amazing to say, Bard College has been ranked number one school in the country by the Princeton Review on the criterion of student satisfaction with classroom experiences, and as this reflects directly on me and my 200-and-something colleagues, I thought I'd trumpet it. We also ranked high on "Most Liberal Students" and "Most Accessible Professors," and it's true. I'm really, really accessible. The students sometimes wish we'd go away and quit hovering over them. The photo provided is across campus from me on "Stone Row." They teach biology, or … [Read more...]