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Kyle Gann on music after the fact

Three New Works

Proenca-crowd

Proença Band: Jennifer Lacy, Michelle Allen McIntire, Jennifer Wagner, Brian Padavic, Virginia Backman; photo: Manon Halliburton

I am excited that I’m going to have three world premieres within eight days this month, amounting to some two hours of music. On February 12 and 13 I am the featured composer at the Symposium of Contemporary Music at Illinois Wesleyan in Bloomington, Illinois. On Friday, February 12, I give a lecture at 7:30 on the Concord Sonata at the School of Music. The following evening, also at 7:30, my two-piano piece Implausible Sketches (2006/11) and my song cycle Transcendentalist Songs (2014) will be performed at Westbrook Auditorium. I’ve been waiting years for the premiere of the two-piano piece, which I consider one of my best works. The symposium dates back to 1952, and previous honorees include Roy Harris, Shulamit Ran, Stephen Paulus, Arvo Pärt, John Corigliano, David Diamond, Karel Husa, my Oberlin teacher Edward Miller, George Crumb, Wallingford Riegger, and quite a wild variety of composers with whom I do and don’t identify. Crazy.

The following Saturday, February 20, will see the official premiere of my new song cycle Proença, based on Ezra Pound and a few troubadours, written for and sung by Michelle Allen McIntire. She’s put together the Proença Band, with Virginia Bachman on flute, Jennifer Lacy on electric piano, Jennifer Wagner on vibes, and Brian Padavic on bass (above). They’re actually giving a pre-premiere performance this Saturday, February 6, at Vinyl Renaissance in Overland Park, Kansas City, at 2pm, on a bill with the Ensemble of Irreproducible Outcomes. The official world premiere, which I will attend, is at the Bragg Auditorium in the All Souls Unitarian Universalist Church in Kansas City on February 20 at 7:30. This is the same beautiful space in which Sarah Cahill and I gave the re-premiere of Dennis Johnson’s November in 2009. They’ve put a ton of rehearsal into the piece, and I can’t wait to hear it. Next, they’ll be playing it at Bard College on March 2, in Bito Auditorium.

What’s going on here

So classical music is dead, they say. Well, well. This blog will set out to consider that dubious factoid with equanimity, if not downright enthusiasm [More]

Kyle Gann's Home Page More than you ever wanted to know about me at www.kylegann.com

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Sites to See

American Mavericks - the Minnesota Public radio program about American music (scripted by Kyle Gann with Tom Voegeli)

Kalvos & Damian's New Music Bazaar - a cornucopia of music, interviews, information by, with, and on hundreds of intriguing composers who are not the Usual Suspects

Iridian Radio - an intelligently mellow new-music station

New Music Box - the premiere site for keeping up with what American composers are doing and thinking

The Rest Is Noise - The fine blog of critic Alex Ross

William Duckworth's Cathedral - the first interactive web composition and home page of a great postminimalist composer

Mikel Rouse's Home Page - the greatest opera composer of my generation

Eve Beglarian's Home Page- great Downtown composer

David Doty's Just Intonation site

Erling Wold's Web Site - a fine San Francisco composer of deceptively simple-seeming music, and a model web site

The Dane Rudhyar Archive - the complete site for the music, poetry, painting, and ideas of a greatly underrated composer who became America's greatest astrologer

Utopian Turtletop, John Shaw's thoughtful blog about new music and other issues

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