Blurry Lines and Cultural Norms
I want to keep the thread about blurring the lines between artist and audience going, partly because I am an unreconstructed indie rocker and that once meant you couldn't tell the difference between the two except for the 30 to 90 minutes the artists were onstage (and, frankly, sometimes not even then), but also because I have been posting from a cruise ship somewhere in the Atlantic, and something has been happening each night on this ship that feels like a metaphor for what we're discussing.
There's a theater on board where passengers are variously entertained by dancers, musicians, singers, comedians, and magicians (I will refrain from commenting on the quality of these performers, beyond saying that some of them would make excellent indie rockers). Before each performance, after warning the audience that they should not cross the stage because all the shows use live pyrotechnics, the emcee informs them that no photography or videotaping is allowed, "due to international copyright law."
What's funny about this announcement is that, even as the emcee says it, passengers gleefully snap photographs of him, and the flashbulbs continue to go off throughout each show, with zero consequences at all.
I'm not sure where someone would hang a picture of six dancers wearing costumes inspired by the movie All That Jazz doing choreography we all saw on a recent episode of Glee which itself borrowed liberally from an old Paula Abdul video while a karaoke recording of an old Journey song plays, but that's not the only thing the whole phenomenon left me wondering.
I wondered exactly which "international copyright law" was being invoked. I wondered which artists in that Escher-like experience were supposedly being protected, and how their rights might be infringed by a snapshot of the proceedings. I wondered what it meant that much of the audience clicked away regardless, and that whoever was in charge felt it was important to say, "Don't," but not important enough to do anything more.
As I said, the whole thing felt very metaphorical: copyright being invoked vaguely, the "artist" undefined beyond being some kind of dividing line between who was performing and who was watching, and everyone pretty much doing what they felt like, regardless.
There's a theater on board where passengers are variously entertained by dancers, musicians, singers, comedians, and magicians (I will refrain from commenting on the quality of these performers, beyond saying that some of them would make excellent indie rockers). Before each performance, after warning the audience that they should not cross the stage because all the shows use live pyrotechnics, the emcee informs them that no photography or videotaping is allowed, "due to international copyright law."
What's funny about this announcement is that, even as the emcee says it, passengers gleefully snap photographs of him, and the flashbulbs continue to go off throughout each show, with zero consequences at all.
I'm not sure where someone would hang a picture of six dancers wearing costumes inspired by the movie All That Jazz doing choreography we all saw on a recent episode of Glee which itself borrowed liberally from an old Paula Abdul video while a karaoke recording of an old Journey song plays, but that's not the only thing the whole phenomenon left me wondering.
I wondered exactly which "international copyright law" was being invoked. I wondered which artists in that Escher-like experience were supposedly being protected, and how their rights might be infringed by a snapshot of the proceedings. I wondered what it meant that much of the audience clicked away regardless, and that whoever was in charge felt it was important to say, "Don't," but not important enough to do anything more.
As I said, the whole thing felt very metaphorical: copyright being invoked vaguely, the "artist" undefined beyond being some kind of dividing line between who was performing and who was watching, and everyone pretty much doing what they felt like, regardless.
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This Blog Arts and culture are a cornerstone of American society. But arts and culture workers are often left out of important policy conversations concerning technology and creative rights even though the outcomes will have a profound impact on our world. Is it benign neglect? Or did we... more
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This blog is a project of... the Future of Music Coalition, the National Alliance for Art Media + Culture, Fractured Atlas, and ArtsJournal.com. more
Our Bloggers We have 22 bloggers taking part in this week's conversation. They are... more
Contact us: Click here to send us an email... more
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