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For What It's Worth

Michael Rushton on pricing the arts

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Why do seniors get discounts?

May 23, 2013 by Michael Rushton 16 Comments

they don't look poor

From the Priceonomics blog: You’ve seen them on the bus, in museums, and at movie theaters: senior discounts. As a reward for being old, senior citizens pay a quarter less for bus fare, a small fortune less for movie tickets, and receive discounts generally all over the place. If you’re a twentysomething, or part of what some journalists have colorfully called “the screwed generation,” you may be wondering: why not me? The idea that seniors are a group in need of help and protection dates back to the thirties, when America’s senior … [Read more...]

Scalpers

May 19, 2013 by Michael Rushton 6 Comments

I got mine for just twelve pounds!

The Observer reports that scalpers (or touts) are making a killing on tickets for the Proms: One unofficial online site is offering seats for the Doctor Who-themed Prom on 14 July for £500, compared with the official flat-rate price of £12. A ticket for the first night on 12 July is offered for £400, against an original value of £38. It is not just fans of the Proms who will be disappointed this summer. Many events in the coming months have already sold out – including the Rolling Stones' Hyde Park concert – with the only tickets available … [Read more...]

The economic impact of everything: a response

May 16, 2013 by Michael Rushton 20 Comments

I will present a thoughful comment from my previous post in full, since it is worth addressing in depth: Respectfully, so what if “many, many firms will approach government with the same claims” of job creation and economic impact? So what if every living organism announces what economic benefit they bring to the universe? Whereas you see in it something bad, mendacious or even destructive, I would argue that this is precisely one of the kinds of information we want. Note my use of the words: “one of the kinds.” It should never be only metric … [Read more...]

Amazon and economic impact: either/or

May 15, 2013 by Michael Rushton 2 Comments

The Daily Telegraph reports: Amazon’s UK operation generated £4.2bn of sales last year, but it used a subsidiary in Luxembourg to help it reduce its corporation tax bill in the country to just £2.4m in 2012. According to documents filed at Companies House, the company received £2.5m in government handouts over the same period. Also: The Seattle-based company would not say which investments the UK Government has helped with, but last year it opened a new distribution plant in Hemel Hempstead, creating 600 jobs, promising to open three more … [Read more...]

On special showings for seniors

May 13, 2013 by Michael Rushton 1 Comment

would you like a cuppa?

At the Freakonomics blog, Daniel Hamermesh reports on pricing at his local cinema in suburban London: Every Tuesday they show a recent movie (e.g., Lincoln is showing on May 21) and charge only £3 ($4.60).  Moreover, you get “free tea, coffee and biscuits!” Such a deal—so how can they make money off this, or is it just altruism by the theater owners toward us old folks? The movie costs no extra rental, and the only variable costs are the wages of the one or two workers who sell the tickets and make the eats.  The fixed costs—of the movie … [Read more...]

How student discounts work

May 5, 2013 by Michael Rushton Leave a Comment

show your i.d.

Student discounts are offered many places - in restaurants, theaters, tuxedo rentals - and in both the commercial and nonprofit sectors. Nonprofits might want to discount student prices on equity grounds, giving them a break because they have less disposable income. But commercial firms offer these discounts too. It might be to try to gain loyalty to the brand that will extend beyond the customer's student years. But it also could be simple price discrimination, recognizing that students have different demand patterns than graduates. How to … [Read more...]

Why a lottery?

May 2, 2013 by Michael Rushton 2 Comments

everybody must get stoned

The Daily Telegraph reports on a new offer by the English National Opera: Fans buying tickets to see the ENOs most popular performances will be given the chance to win the best seats in the house under the new “secret seats” scheme. The gamble could also see them end up with the worst seats, although organisers promise no view will be restricted and no ticket will be worth less than £25 ordinary sale price. The scheme was launched as part of a new season announced yesterday, as the ENO aims to redress a financial deficit in … [Read more...]

What do we talk about when we talk about the economic impact of the arts?

April 30, 2013 by Michael Rushton 5 Comments

multiplier

In the news from Britain in the past week has been a speech by Culture Minister Maria Miller on the arts and the economy in the UK - the full text is here. Commentary has ranged from the concern about putting too much emphasis on the economic, to how we ought to define cultural industries in the contemporary world. I would like to focus on what linkages the Minister sees between culture and the economy. As Tim Harford notes, the speech is a bit of a jumble, so let us try to untangle some of the knots. I see three kinds of ways to think about … [Read more...]

Lotteries should not be used to fund the arts

April 28, 2013 by Michael Rushton 3 Comments

no way to fund the arts

Blog neighbor Greg Sandow posts about the relationship between arts funding and gambling, especially regarding early Italian opera. It's tongue in cheek, but he concludes: For those without a sense of humor: I know very well that gambling raises moral questions, and legal questions, too, not to mention questions involving real estate. Where would the Met put its new casino? Where in the opera house would there be room enough?  But let’s not forget that gambling — I’ll never call it “gaming,” its euphemistic marketing meme — has spread … [Read more...]

Strategic gaps in the paywall

April 26, 2013 by Michael Rushton 1 Comment

paywall? what paywall?

At Slate, Matt Yglesias reports that advertising revenues are down, but subscription revenues are up, at the New York Times: I've been skeptical about digital subscription models for a long time, but I'm turning into a believer. A key change has been the development of technological means of making the paywalls actually pretty porous, which turns them into more a form of price discrimination than anything else. A well-designed paywall attracts revenue from hardcore fans of a website while still making it possible for casual fans to read the … [Read more...]

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Michael Rushton

Michael Rushton taught in the Arts Administration programs at Indiana University, and lives in Bloomington. An economist by training, he has published widely on such topics as public funding of the … MORE

About For What It’s Worth

What’s the price? Everything has one; admission, subscriptions, memberships, special exhibitions, box seats, refreshments, souvenirs, and on and on – a full menu. What the price is matters. Generally, nonprofit arts organizations in the US receive about half of their revenue as “earned income,” and … [Read More...]

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Recent Comments

  • Michael Rushton on Reading James Marriott’s The New Dark Ages: “Recordings and radio offered people different ways to experience music, and brought it to wider audiences than would have been…” Oct 8, 14:44
  • Richard Voorhaar on Reading James Marriott’s The New Dark Ages: “,Just as recordings and radio was the death of traditional folk music, non-western music, jazz and classical music. ,” Oct 8, 13:35
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  • Brian Newhouse on We cannot quantify the richness of a nation’s literary life: “What we have lost these past twenty years–though I would push the beginning of the loss back to 1980–isn’t the…” Sep 9, 07:42
  • Brian Newhouse on Gut Punch: “That too. Politics in art isn’t a matter of having the right position on an issue, but the matter of…” Jun 10, 02:19
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