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Michael Rushton on pricing the arts

Why a lottery?

May 2, 2013 by Michael Rushton 2 Comments

everybody must get stonedThe Daily Telegraph reports on a new offer by the English National Opera:

Fans buying tickets to see the ENOs most popular performances will be given the chance to win the best seats in the house under the new “secret seats” scheme.

The gamble could also see them end up with the worst seats, although organisers promise no view will be restricted and no ticket will be worth less than £25 ordinary sale price.

The scheme was launched as part of a new season announced yesterday, as the ENO aims to redress a financial deficit in the face of further arts cuts. …

The Secret Seats scheme will be available for all productions, with a varying number of seats depending on its popularity.

All tickets will cost £20, with a possibility of fans being allocated tickets worth £25 to the best seats in the house priced at £125. Other tickets, with restricted views, will still be available at a basic £12.

Here are two things we can say about consumers. First, they prefer certainty about what they are purchasing over uncertainty. Second, they differ in their willingness to pay for higher-quality and lower-quality seats, a fact that lies behind the rationale of presenters charging different prices for those seats.

So why would any presenter, never mind one in financial difficulty, allocate seats by lottery? The story doesn’t explain why anyone thinks this is a good idea. I just can’t see the logic.

 

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Comments

  1. Ed McKeon says

    May 6, 2013 at 12:48 pm

    Not all audiences want certainty, and ENO has been courting niches interested in a creative relationship with the programme. For a start, you pay £20 and get a ticket worth more. I doubt they’d have initiated something like this without research – have you tried asking them?

    Reply
    • Michael Rushton says

      May 6, 2013 at 1:45 pm

      True, customers get a good ticket for a lower price. But there are multiple ways of making that happen, and, given some pretty basic things we know about consumers, a lottery is not the most effective way of giving customers a better deal. I haven’t rung up the ENO myself, no – consider the post my way of asking: what is the rationale? I cannot imagine the research result that would generate this outcome.

      Reply

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Michael Rushton

Michael Rushton taught in the Arts Administration programs at Indiana University, and lives in Bloomington. An economist by training, he has published widely on such topics as public funding of the … MORE

About For What It’s Worth

What’s the price? Everything has one; admission, subscriptions, memberships, special exhibitions, box seats, refreshments, souvenirs, and on and on – a full menu. What the price is matters. Generally, nonprofit arts organizations in the US receive about half of their revenue as “earned income,” and … [Read More...]

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