There was a time – the 1990s, when I was running the Brooklyn Philharmonic at BAM – when the practice of speaking from the stage at symphonic concerts was controversial, both among audiences and orchestra leaders. And people debated whether or not thematic programing was a good thing. Those days are finally over. But the next step – fundamentally re-thinking the … [Read more...] about Re-Thinking the Concert Experience in South Dakota and Minnesota
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R. I. P. : The National Endowment for the Humanities (1965-2025)
Since 2010 I have administered Music Unwound, a national consortium of orchestras and educational institutions funded by the National Endowment for the Humanities. I assume that Music Unwound no longer exists – nor does more than $150,000 in Congressionally approved MU funding as yet unspent. To my knowledge, there has been no formal notification. The forces in play are … [Read more...] about R. I. P. : The National Endowment for the Humanities (1965-2025)
The Lakota Music Project vs. “Rootlessness” Today
Delta David Gier conducts the Creekside Singers and members of the South Dakota Symphony in Derek Bermel’s “Lakota Refrains” [Photo credit: Dave Eggen/Inertia/South Dakota Symphony] The topic of my latest “More than Music” program on NPR is the South Dakota Symphony’s Lakota Music Project. The last military engagement between United States troops and Native … [Read more...] about The Lakota Music Project vs. “Rootlessness” Today
What’s An Orchestra For? – Mulling Salonen’s Resignation and a Dispiriting San Francisco Sequel
Esa-Pekka Salonen Among my most-read blogs is “What’s An Orchestra For?" – Mulling Esa-Pekka Salonen’s Resignation from the San Francisco Symphony.” I posted it on March 26, 2024, and it still attracts readers practically every day. The topic is the abrupt departure of a genuine music director propagating a tangible and timely artistic vision. I wrote that this … [Read more...] about What’s An Orchestra For? – Mulling Salonen’s Resignation and a Dispiriting San Francisco Sequel
Native America and American Music on NPR: “A Battleground”
This Hamms Beer commercial, which I vividly remember from childhood and our brand-new black-and-white TV, signals “Indian music” with a steady tom-tom beat. The tune (and its tom-tom) adapts the Dagger Dance in Victor Herbert’s opera Natoma. The words – “From the Land of Sky Blue Waters” – reference a once popular concert song by Charles Wakefield Cadman. Both Herbert’s opera … [Read more...] about Native America and American Music on NPR: “A Battleground”