The Creekside Singers performing with the South Dakota Symphony “There’s just a tremendous amount of caution, a tremendous amount of groupthink, in the orchestra world. So to see an orchestra really out on its own, forging its own identity, and bringing its audience along with it is just extremely impressive – even more impressive than I anticipated.” That’s Alex Ross, … [Read more...] about “Drastically revising our idea of who a music director is” — The South Dakota Symphony on NPR
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Re-Thinking the Concert Experience in South Dakota and Minnesota
There was a time – the 1990s, when I was running the Brooklyn Philharmonic at BAM – when the practice of speaking from the stage at symphonic concerts was controversial, both among audiences and orchestra leaders. And people debated whether or not thematic programing was a good thing. Those days are finally over. But the next step – fundamentally re-thinking the … [Read more...] about Re-Thinking the Concert Experience in South Dakota and Minnesota
R. I. P. : Music Unwound (2010-2025)
Since 2010 I have administered Music Unwound, a national consortium of orchestras and educational institutions funded by the National Endowment for the Humanities. I assume that Music Unwound no longer exists – nor does more than $150,000 in Congressionally approved MU funding as yet unspent. To my knowledge, there has been no formal notification. The forces in play are … [Read more...] about R. I. P. : Music Unwound (2010-2025)
American Classical Music at 250 — Take Seven: The Ford Foundation’s Misguided Philanthropy
Since filing a New York Times piece on the perilous state of American classical music 250 years since the nation’s founding, I’ve written five follow-up blogs and participated in a podcast with the conductor Kenneth Woods. The response has been voluminous and informative. The most telling responses have come from conductors and orchestral musicians. Practically without … [Read more...] about American Classical Music at 250 — Take Seven: The Ford Foundation’s Misguided Philanthropy
American Classical Music at 250 — Take Six: The Disconnect Between Scholars and Orchestras
Beginning with my “New York Times” piece on July 4, this is the fifth in a series of articles pondering the state of classical music in the US on the occasion of our 250th birthday. Above: Peter Bogdanoff's visual presentation for the Largo and Scherzo of Dvorak's "New World" Symphony, premiered by the Brooklyn Philharmonic in 1994 and since widely deployed by American … [Read more...] about American Classical Music at 250 — Take Six: The Disconnect Between Scholars and Orchestras




