The Creekside Singers performing with the South Dakota Symphony “There’s just a tremendous amount of caution, a tremendous amount of groupthink, in the orchestra world. So to see an orchestra really out on its own, forging its own identity, and bringing its audience along with it is just extremely impressive – even more impressive than I anticipated.” That’s Alex Ross, … [Read more...] about “Drastically revising our idea of who a music director is” — The South Dakota Symphony on NPR
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Re-Thinking the Concert Experience in South Dakota and Minnesota
There was a time – the 1990s, when I was running the Brooklyn Philharmonic at BAM – when the practice of speaking from the stage at symphonic concerts was controversial, both among audiences and orchestra leaders. And people debated whether or not thematic programing was a good thing. Those days are finally over. But the next step – fundamentally re-thinking the … [Read more...] about Re-Thinking the Concert Experience in South Dakota and Minnesota
R. I. P. : Music Unwound (2010-2025)
Since 2010 I have administered Music Unwound, a national consortium of orchestras and educational institutions funded by the National Endowment for the Humanities. I assume that Music Unwound no longer exists – nor does more than $150,000 in Congressionally approved MU funding as yet unspent. To my knowledge, there has been no formal notification. The forces in play are … [Read more...] about R. I. P. : Music Unwound (2010-2025)
American Classical Music at 250 – Take Two: The BAM Experiment
I am still processing an avalanche of responses to my New York Times piece on the state of American classical music 250 years in. I’m particularly grateful to readers who wrote to remember the Brooklyn Philharmonic festivals during my 1990s tenure as the orchestra’s Executive Director. That experiment was the subject of the Postlude to my essay collection The Post-Classical … [Read more...] about American Classical Music at 250 – Take Two: The BAM Experiment
At 250, Has America Delivered on its Classical Music Promise?
The New York Times invited me to attempt a succinct assessment of classical music in the US, from its beginnings to today. My response runs in today's paper: Last fall, I found myself in a South Dakota hotel lobby talking with the composer Derek Bermel. Days before, I learned that his clarinet teacher had played in the Metropolitan Opera Orchestra. I asked whether he knew … [Read more...] about At 250, Has America Delivered on its Classical Music Promise?