It’s now official: Klaus Makela will become the next music director of the Chicago Symphony Orchestra, beginning in 2027-2028. He’ll conduct fourteen weeks of CSO concerts of which four will be on tour. He’ll concurrently become music director of Amsterdam’s Concertgebouw Orchestra. He’ll retain relationships with the Oslo Philharmonic and the Orchestre de Paris. He’ll be … [Read more...] about The Chicago Symphony Lands Klaus Makela
Search Results for: shostakovich in south dakota
What’s an Orchestra For? — Mulling Esa-Pekka Salonen’s Resignation from the San Francisco Symphony
The resignation of Esa-Pekka Salonen as Music Director of the San Francisco Symphony is dominating classical-music news because Salonen made no secret why he quit: a falling out with the board over his elaborate artistic plans and their cost. I have no first-hand knowledge of any of this. What I do know is that Salonen is not merely a conductor; rather, he is – a rare species … [Read more...] about What’s an Orchestra For? — Mulling Esa-Pekka Salonen’s Resignation from the San Francisco Symphony
The Boston Symphony In Trouble
[Above: Boston's Symphony Hall, built by Henry Higginson and opened in 1900.] Last week I heard the Boston Symphony perform Shostakovich’s Lady Macbeth at Carnegie Hall. The conductor was their music director since 2014: Andris Nelsons. I had planned to write a blog but instead emailed my impressions to a dozen friends in the music business. The emails that came … [Read more...] about The Boston Symphony In Trouble
Mahler, Bernstein, and “The Marriage”
What did Gustav Mahler and Leonard Bernstein have in common? As is well known, Bernstein was a triumphant advocate of Mahler’s symphonies at a moment when they had yet to enter the mainstream repertoire. And both were outsiders – Mahler as a Jew in Vienna, and Bernstein as someone trying to resolve the oxymoron “American classical musician.” But in my NPR interview yesterday … [Read more...] about Mahler, Bernstein, and “The Marriage”
How to Ignite a Standing Ovation for a Stravinsky Symphony; or: When is it OK to Project Moving Images During a Concert?
Readers of this blog, and listeners to my NPR shows, will recall that a South Dakota performance of Shostakovich’s Seventh Symphony last February unforgettably galvanized a Sioux Falls audience. A major factor was a 40-minute preamble, with live music, exploring the symphony’s relationship to the Siege of Leningrad and the depredations of Joseph Stalin. I came away from that … [Read more...] about How to Ignite a Standing Ovation for a Stravinsky Symphony; or: When is it OK to Project Moving Images During a Concert?