In the wake of World War I, Igor Stravinsky was living in Switzerland, cut off from his family estate in Russia. He was receiving no royalties from his publisher in Berlin. Stage performances of his music by Diaghilev’s Ballet Russe were very infrequent. His concert works were virtually dormant. With the Swiss writer C. F. Ramuz, he conceived a small, portable entertainment, … [Read more...] about A Soldier’s Tale for Today
A Gripping New Version of The Rite of Spring
Igor Stravinsky’s The Rite of Spring might at first glance seem an unlikely candidate for keyboard transcription. It calls for a huge orchestra, colorfully deployed. But the percussive ferocity of the writing, its sheer physicality, is an irresistible lure for pianists. Stravinsky himself left a piano-duet version. It’s actually the first version, part of the … [Read more...] about A Gripping New Version of The Rite of Spring
Savage Beauty
One of the highest achievements in present-day world music is the Chinese-American fusion. It is wondrously explicable. China’s seismic political and cultural upheavals produced an earthquake of creativity. Conservatory-bound composers wound up on the countryside, absorbing folk music styles exploring timbre in ways they had never imagined. And – following Chinese speech, in … [Read more...] about Savage Beauty
How Do You Play a Flower Pot?
How do you play a flower pot? What makes washtubs sound best? How about coffee cans? For the answers, check out Lou Harrison’s instructions, in his exquisite hand, for his Concerto for Violin and Percussion, e.g.: “For the washtubs, drill holes (4) up from center on the sides of inverted galvanized iron tubs & suspend by strong elastic cords.” For the coffee cans, … [Read more...] about How Do You Play a Flower Pot?
A “Unique Addition” to the Whitman Repertoire
When PostClassical Ensemble undertook our world premiere recording of the 1944 radio play Whitman, we did so in the conviction that Bernard Herrmann’s score was a Whitman setting of such distinction that the result was more than a radio play. Rather, we had stumbled upon a sngular addition to the symphonic repertoire of “melodramas” – compositions for music plus the spoken … [Read more...] about A “Unique Addition” to the Whitman Repertoire