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Greg Sandow on the future of classical music

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From Marlissa Hudson: Going out on my own (2)

July 31, 2013 by Marlissa Hudson

The story so far, in Marlissa's words: I realized I had to be a singer. I moved from my home in St. Louis to the Washington, DC area, to work with contacts I’d made when I was a graduate student at Peabody. And I made plans to create a big splash with my second album. All of that is in my first post.  And so, continuing: When I thought of my sophomore album project, I knew I wanted to do something vastly different than anything I’d heard or done previously. Something that would highlight my strongest attributes as an artist, and present … [Read more...]

From Marlissa Hudson: Going out on my own (1)

July 30, 2013 by Marlissa Hudson

[From Greg: [Just about a year ago, Marlissa Hudson emailed to say that she liked my blog, had ideas that synced with it, and wondered if we could meet. If I remember rightly, she'd put me on her mailing list (a good networking move), so I knew her name, and knew she was a soprano working in the Washington, DC area, where I live. And in any case I'm often contacted by people who read me, all kinds of people, by (for instance) the executive director of an orchestra in France, and by many music students. I always try to meet these people if I … [Read more...]

Greg Sandow

Though I've been known for many years as a critic, most of my work these days involves the future of classical music -- defining classical music's problems, and finding solutions for them. Read More…

About The Blog

This started as a blog about the future of classical music, my specialty for many years. And largely the blog is still about that. But of course it gets involved with other things I do — composing music, and teaching at Juilliard (two courses, here … [Read More...]

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How to write a press release

As a footnote to my posts on classical music publicists, and how they could do better, here's a post I did in 2005 -- wow, 11 years ago! --  about how to make press releases better. My examples may seem fanciful, but on the other hand, they're almost … [Read More...]

The future of classical music

Here's a quick outline of what I think the future of classical music will be. Watch the blog for frequent updates! I Classical music is in trouble, and there are well-known reasons why. We have an aging audience, falling ticket sales, and — in part … [Read More...]

Timeline of the crisis

Here — to end my posts on the dates of the classical music crisis  — is a detailed crisis timeline. The information in it comes from many sources, including published reports, blog comments by people who saw the crisis develop in their professional … [Read More...]

Before the crisis

Yes, the classical music crisis, which some don't believe in, and others think has been going on forever. This is the third post in a series. In the first, I asked, innocently enough, how long the classical music crisis (which is so widely talked … [Read More...]

Four keys to the future

Here, as promised, are the key things we need to do, if we're going to give classical music a future. When I wrote this, I was thinking of people who present classical performances. But I think it applies to all of us — for instance, to people who … [Read More...]

Age of the audience

Conventional wisdom: the classical music audience has always been the age it is now. Here's evidence that it used to be much younger. … [Read More...]

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