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Greg Sandow on the future of classical music

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Archives for March 2016

Hiphop footnote

March 15, 2016 by Greg Sandow

[contextly_auto_sidebar] Hiphop and arts organizations… Suppose the Kennedy Center, instead of naming Q-Tip as its Artistic Director for Hiphop Culture (see my last post), had named Kanye West instead. Or Jay-Z, or Dr. Dre. I’m not saying that, artistically, these would have been better choices, Or that these stars would even want the gig. Kanye, so famously, launched his new album with his own shown at Fashion Week in New York, giving him a more elite audience, and much more media, than the Kennedy Center could ever get. But … [Read more...]

View from the street

March 10, 2016 by Greg Sandow

"…Makes we wonder, sometimes, if arts institutions, trying to stretch beyond themselves, take time to ask who they’re stretching to. Which people, which subcultures, what these people and cultures are like, what really goes on the city the arts orgs are reaching to." [contextly_auto_sidebar] The Go-Go Symphony rises from the streets and clubs of Washington, DC, combining pop and classical music. And because of that poses — or ought to pose — a sharp challenge to the Kennedy Center, precisely because the Kennedy Center wants to reach past its … [Read more...]

Do we connect?

March 9, 2016 by Greg Sandow

[contextly_auto_sidebar] There’s something I miss at classical new music concerts, even if I like the music I’m hearing. So yes, many of us in the classical biz think new music is important, crucial to support, deserving any prestige and funding it might get from major institutions. But… I miss a connection to any larger culture. Which I did get when I was a pop music critic, and for a while went to three, four, five shows each week. Of course not every band was good Many were meh. But two good things were always happening. Two … [Read more...]

My show…and my wife

March 4, 2016 by Greg Sandow

[contextly_auto_sidebar] My show, aka my reemergence as a composer, with a concert of my music on April 14. At the Strathmore Performing Arts Center, just outside Washington, DC. You can buy tickets now. I’m busy producing, rehearsing, promoting. And, soon, raising funds. Here’s a link to the program. The heart of the first part, as you'll see, is my wife: It starts with triadic music. An arioso from an opera I’m writing, based on Shakespeare’s As You Like It. Soft and wistful, for tenor. Never performed before. My wife is the … [Read more...]

Celebrating the future

March 3, 2016 by Greg Sandow

[contextly_auto_sidebar] Had a marvelous time last weekend at the Sunderman Conservatory of Music, a school just 10 years old at Gettysburg College, which is in — where else? — Gettysburg, PA, of Civil War fame. One quick tidbit: a major donor who writes a terrific march! That would be F. William Sunderman, a local physician whose money made the school possible. And who lived to be 104. And who wrote a march played on a gala concert I heard, which turned out to be a spirited, well-written piece. Clearly a man of many parts. Time to … [Read more...]

Greg Sandow

Though I've been known for many years as a critic, most of my work these days involves the future of classical music -- defining classical music's problems, and finding solutions for them. Read More…

About The Blog

This started as a blog about the future of classical music, my specialty for many years. And largely the blog is still about that. But of course it gets involved with other things I do — composing music, and teaching at Juilliard (two courses, here … [Read More...]

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How to write a press release

As a footnote to my posts on classical music publicists, and how they could do better, here's a post I did in 2005 -- wow, 11 years ago! --  about how to make press releases better. My examples may seem fanciful, but on the other hand, they're almost … [Read More...]

The future of classical music

Here's a quick outline of what I think the future of classical music will be. Watch the blog for frequent updates! I Classical music is in trouble, and there are well-known reasons why. We have an aging audience, falling ticket sales, and — in part … [Read More...]

Timeline of the crisis

Here — to end my posts on the dates of the classical music crisis  — is a detailed crisis timeline. The information in it comes from many sources, including published reports, blog comments by people who saw the crisis develop in their professional … [Read More...]

Before the crisis

Yes, the classical music crisis, which some don't believe in, and others think has been going on forever. This is the third post in a series. In the first, I asked, innocently enough, how long the classical music crisis (which is so widely talked … [Read More...]

Four keys to the future

Here, as promised, are the key things we need to do, if we're going to give classical music a future. When I wrote this, I was thinking of people who present classical performances. But I think it applies to all of us — for instance, to people who … [Read More...]

Age of the audience

Conventional wisdom: the classical music audience has always been the age it is now. Here's evidence that it used to be much younger. … [Read More...]

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