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Greg Sandow on the future of classical music

The Monday post

June 24, 2013 by Greg Sandow

Giovanni Antonini blogListen to the overture, on the new Cecilia Bartoli recording of Bellini’s Norma. Hot! Giovanni Antonini (the man in the photo) conducts, and the Orchestra La Scintilla plays period instruments. This is the kind of classical performance I like to hear. It has personality. And — as my Juilliard students said this year about classical recordings from past generations — the musicians go for it. 

Which gives them a marvelous colloquial touch. Sometimes they sound like the town band. That’s completely appropriate for bel canto opera, which — performed with an audience talking, eating, and gambling — was public entertainment.

Plus town bands actually did play in these operas, when the operas were new. Norma, along with other bel canto and early Verdi works, has a band that’s supposed to play on stage, though in modern performances, to save money, its music is played by the orchestra. But in Bellini’s time, the onstage band was part of the show, and its members were the band from the town the opera house was in.

The entire recording, by the way, is hot. People will argue about Bartoli. A mezzo singing a soprano role? (The range gives her no trouble.) Sounds like a witch sometimes? (Fits her view of the character, and the contrast with Sumi Jo, a lyric soprano Adalgisa, works perfectly. Ferocious older woman vs. innocent young one, just as the opera requires.)

But listen to the overture. It can stand by itself. The town band — a really good one — plays Bellini. Fabulous!

***

A question. I’m finding that my Monday and Friday posts take longer to write than I thought they would, and take time away from more substantial writing I might do here. Should I discontinue them? Or make them shorter? Or is there some other solution?

I asked this question on Twitter. Two responses: no, absolutely don’t stop writing these posts, and, if you have to, find other writers to do them.

Comments welcome! Tell me what I should do.

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Comments

  1. Ariel says

    June 24, 2013 at 5:42 pm

    You should do what you think best for yourself . Under no condition find other writers
    to supposedly speak for you , you should remain your own voice- expand and make your
    other writings part of Monday and Friday posts .

  2. Ian Stewart says

    June 25, 2013 at 9:59 am

    As you know Greg I really like your writing and ideas but as you ask, I think your posts could generally be shortened without losing their meaning or power.
    People read more slowly on a computer screen than on paper and I am sure there are many readers (like me on occasion), who read part of the post and then return later to finish it. Maybe your Monday and Friday posts could be succinct, emphasising one point only.

    Have you read Seth Godin’s blog – http://sethgodin.typepad.com/? You may consider that too brief for your purposes but it certainly works for his marketing ideas.

    Incidentally, I met a friend of yours in a London specialist classical record shop recently – Mark Swed.

Greg Sandow

Though I've been known for many years as a critic, most of my work these days involves the future of classical music -- defining classical music's problems, and finding solutions for them. Read More…

About The Blog

This started as a blog about the future of classical music, my specialty for many years. And largely the blog is still about that. But of course it gets involved with other things I do — composing music, and teaching at Juilliard (two courses, here … [Read More...]

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