• Home
  • About
    • What’s happening here
    • Greg Sandow
    • Contact
  • AJBlogs
  • ArtsJournal

Sandow

Greg Sandow on the future of classical music

Nathan Shirley: Videos — untapped potential

March 25, 2010 by Nathan Shirley

I’ve spent some time compiling a list of videos I think especially stand out from the very bland standard classical music videos (no easy task to find these!).

Most bigger budget classical music videos are basically just documentations of performances. So they end up looking fine, but certainly nothing special which might better serve the music. They are typically filmed the same way a golf tournament or baseball game would be filmed — everything very well-lit (overly lit, with little or no shadow). Several different camera operators film the action and there is one person switching from camera to camera (wide shot, close-up, different close-up, wide shot, rinse and repeat). The cuts are generally made arbitrarily or at best when there is something visually new happening (not something musically new, often very different things). While there is certainly nothing wrong with this, it doesn’t add anything to compliment the music. Music is after all an art, not a sport. If it is going to be filmed, let the visuals work for the music, or better yet, let them strive towards the same level of artistic expression which the composer and performer have attained.

In the world of popular music this is very common and hugely popular, it’s called the “music video.’ There are countless examples of brilliant music videos which have been made on every budget level conceivable. There are some attempts at this in the classical world, but they are very few and very far between. So, let’s take a look at some.

(By the way, several of my favorite examples from the older generation of performers are not available on YouTube. The reason seems to be that the labels which own the rights to these films have forced YouTube to take down these videos anytime someone uploads them. They are shooting themselves in the foot here as very few people even know these fantastic films exist, and they certainly aren’t going to discover them if they aren’t on YouTube. Even the popular music labels have finally realized YouTube is their friend, when they post music videos they get advertising revenue and also a direct link to iTunes where people flock to download the recordings they’ve just heard.)

First videos from the older generation, starting with one of Alexis Weissenberg:

http://www.youtube.com/watch?v=eEshnaZxmY8 1- mY8

I would say this is likely the best classical music performance video out there. Just look at some of those gorgeous shots, the shadows, dark/light, the camera angles, over head panning. These are things you just don’t see. This particular video is especially amazing when you consider the technology they were working with at the time. The cameras were so noisy back then, in order to get these close up shots they had to record the audio separately, then they had to mechanically render the piano silent so that Weissenberg could hear the recording while playing along with it (silently).

Here is the complete video (poor VHS):

http://www.youtube.com/watch?v=1aTDn93Mhso

And this is one of my own videos, heavily influenced by Weissenberg’s Petrushka film:

http://www.youtube.com/watch?v=XPycgwUaaxE

This one of Arturo Benedetti Michelangeli is much more simplistic, and it’s a short little piece. But the film is very nice, notice the lighting. The editing is great, cut right to the music, not arbitrarily like most videos you see. Notice the close up of the foot on the pedal:

http://www.youtube.com/watch?v=wrRdNwgt0B4

Here is a short recording from a masterclass. A masterclass! You will never see a more artistic recording of a 5- 31smasterclass (and this is very old), just look at the  beautiful lighting, the closeup of his face, this truly brings to life Alfred Cortot’s music and message:

http://youtu.be/8dhmU7GMu7U?t=4m31s

Speaking of non-performance classical music videos, here is a nice one, of Glenn Gould, documentary style, but still a rarity. A classical musician at practice:

http://www.youtube.com/watch?v=qB76jxBq_gQ

Now here is another Glenn Gould performance turned into a true music video. Nothing could be more simple here and that is what makes it so powerful. Make sure you watch to the end!:

http://www.youtube.com/watch?v=q5f25kL9Gio

There are other true classical “music videos.” The most famous is Fantasia, but this of course didn’t grow out of the classical music world, but from the commercial world of Disney. And yet parts of the film remain some of the few masterpieces of the genre simply because the genre is practically nonexistent:

http://www.youtube.com/watch?v=rCAYto7Svwo

Here is another of the few brilliant classical music videos, this one from the 1976 film Allegro non troppo:
9- u-o
http://www.youtube.com/watch?v=P8Oc_J1Lu-o

And here are two very different music videos of my own music. First this one:

http://www.youtube.com/watch?v=jZjJjppDYlc

And:

https://www.youtube.com/watch?v=A8eOf6tgl9k

This is a modern-day “visualization” of classical music, again, not born out of the classical music world, but these videos are hugely popular on YouTube:

http://www.youtube.com/watch?v=ipzR9bhei_o

And another of a complete symphony orchestra:

http://www.youtube.com/watch?v=p5favl2Qtx0

This one is very simple, in fact it doesn’t even use a “real” recording, just cheap midi playback, but it’s quite effective:

http://www.youtube.com/watch?v=JTWp25pzFCc

My own approach combining a visualization of sheet music with the performance:
15- 5_U
http://www.youtube.com/watch?v=hY5ZnIaD5_U

Now let’s take a look at some current good classical music performance videos.

This one, of Hélène Grimaud, is very well done, great camera work, nice lighting, etc, but it really feels too much like a commercial for my taste, a bit over the top in some respects. It makes me wonder why Grimaud is acting here, was she coached, was it her idea or is it actually sincere? You can make up your own mind:

http://www.youtube.com/watch?v=1JZzAupJap0

This one, of Valentina Lisitsa is more tasteful I’d say. Fairly simple video, but very beautiful lighting and shallow focus:

http://www.youtube.com/watch?v=hLXOOeMKmJc

18- 0i8

And here, this video of Julia Fischer is very nice, very bright, portrait style lighting, but in a good way. The background is minimalistic, but still subtly varied, with dark/light contrasts. The camera work is fairly standard, but very well-edited to the music with a lot of variety and nice tight closeups. (And notice how her dress changes! Very nice subtlety.)

http://www.youtube.com/watch?v=6yWmbI1z0i8

Here is one more of my own, this combines recorded performance with the painting which inspired the composition:

http://www.youtube.com/watch?v=aHnh7bUzhSg

Now let’s go back to one from the earlier generation. This video of Andres Segovia was recorded in an amazingly beautiful setting. The camera work is fairly basic and standard, but the extremely wide shot used at key moments really makes this (plus they are not overly lit, which amplifies the mysterious element of this music):

http://www.youtube.com/watch?v=9efHwnFAkuA

Even if budgets are very low, I would encourage musicians and managers to seek out collaborations between performers and film professionals (not just videographers who purely cover live events). Many professionals would love to add a classical music film clip to their demo reel. Or, spend a little time at a film school, you’ll find no shortage of aspiring cinematographers and directors with true creativity who would kill to record a professional string quartet, especially if given plenty of artistic freedom. One of the professors might even be willing to oversee such a project, which should ensure a high technical standard.

Nathan Shirley is a composer and pianist writing melodic and accessible, yet complex and subtle music, in the great classical tradition. Drawing inspiration from music of the past, present and all around the globe, he composes modern classical music for people who hate modern classical music.

Learn more at www.NathanShirley.org

Filed Under: Uncategorized

Comments

  1. Matthew Linder says

    February 18, 2013 at 12:50 pm

    Nathan have you by chance seen this music video for Schubert’s “Winterriese”? I think it is really well done. http://youtu.be/DLsaSm5iG9o

    • Nathan Shirley says

      February 19, 2013 at 10:38 am

      Thanks for the link. I hadn’t seen this, but I like it. Nice modern horror angle. The Schubert reminds me of another which is truly great (and recent)- a sand animation by Benny Zelkowicz:

      http://www.youtube.com/watch?v=1_dighphz_A

      • Matthew Linder says

        February 21, 2013 at 1:10 am

        I have seen this and I enjoyed it a ton.

        • Greg Sandow says

          February 21, 2013 at 11:36 am

          Glad you liked it, Matthew! I thought it added a lot to what we’re doing here.

  2. Lia Pas says

    February 18, 2013 at 2:46 pm

    I was reading this thinking about exactly what Nathan mentions in the last paragraph of this post. When I was looking for videographers to help me with a videopoem I was working on (which includes a 5-part vocal score) I had no lack of responses. Students to video artists to professionals were all interested in working on something that was different from the usual film work they do. Though I wouldn’t call the film or my music for it “classical” by any means, you can find it on Vimeo by googling Lia Pas and susurrations .

    • Nathan Shirley says

      February 19, 2013 at 10:44 am

      Disgustingly beautiful! Here’s the link- http://vimeo.com/17653170

      • Lia Pas says

        February 19, 2013 at 10:49 am

        Thanks, Nathan! Forgot to warn people about the sublime gore….

  3. Kevin Clark says

    February 19, 2013 at 10:32 pm

    Submit any of these on tumblr and I’ll happily post any classical music videos: http://fuckyeahclassicalmusicvideos.tumblr.com/

    I’ve also done a lot of work with filmmakers as a composer myself, and produced several films of my own pieces, both with independent narratives, and focusing on the performance itself. It’s always great to see different approaches to classical music and film.

    • Greg Sandow says

      February 20, 2013 at 9:12 am

      Thanks, Kevin. I’ll look at your Tumblr page. Curious to see your videos. So many things happening in this field! So much to know about, be inspired by.

  4. Lara Downes says

    February 21, 2013 at 2:04 pm

    Here’s a nice new video by my collaborator Matt McBane and his band BUILD. It premieres today on Q2. http://www.wqxr.org/#!/articles/q2-music/2013/feb/21/premiere-builds-ride/

Greg Sandow

Though I've been known for many years as a critic, most of my work these days involves the future of classical music -- defining classical music's problems, and finding solutions for them. Read More…

About The Blog

This started as a blog about the future of classical music, my specialty for many years. And largely the blog is still about that. But of course it gets involved with other things I do — composing music, and teaching at Juilliard (two courses, here … [Read More...]

Follow Us on FacebookFollow Us on TwitterFollow Us on RSS

Archives

@gsandow

Tweets by @gsandow

Resources

How to write a press release

As a footnote to my posts on classical music publicists, and how they could do better, here's a post I did in 2005 -- wow, 11 years ago! --  about how to make press releases better. My examples may seem fanciful, but on the other hand, they're almost … [Read More...]

The future of classical music

Here's a quick outline of what I think the future of classical music will be. Watch the blog for frequent updates! I Classical music is in trouble, and there are well-known reasons why. We have an aging audience, falling ticket sales, and — in part … [Read More...]

Timeline of the crisis

Here — to end my posts on the dates of the classical music crisis  — is a detailed crisis timeline. The information in it comes from many sources, including published reports, blog comments by people who saw the crisis develop in their professional … [Read More...]

Before the crisis

Yes, the classical music crisis, which some don't believe in, and others think has been going on forever. This is the third post in a series. In the first, I asked, innocently enough, how long the classical music crisis (which is so widely talked … [Read More...]

Four keys to the future

Here, as promised, are the key things we need to do, if we're going to give classical music a future. When I wrote this, I was thinking of people who present classical performances. But I think it applies to all of us — for instance, to people who … [Read More...]

Age of the audience

Conventional wisdom: the classical music audience has always been the age it is now. Here's evidence that it used to be much younger. … [Read More...]

Return to top of page

an ArtsJournal blog

This blog published under a Creative Commons license

Copyright © 2025 · Magazine Pro Theme on Genesis Framework · WordPress · Log in