• Home
  • About
    • What’s happening here
    • Greg Sandow
    • Contact
  • AJBlogs
  • ArtsJournal

Sandow

Greg Sandow on the future of classical music

Obama subtext

February 1, 2009 by Greg Sandow

I loved the Springsteen half-time show. He’s 59. An inspiration — if he has that much energy, I can have it, even if I’ve got a few years on him.

And many people might have said that rock like that was dead, as any kind of current music. That it’s now nostalgia. But maybe not. Or maybe nostalgia is part of its strength, a way of bringing back our innocence.

A great way to launch the new album, of course. The new song stood up to the classics (though since everything was cut, we don’t know how it would hold up at full length). Also — how happy to do a show like that with your wife in the band.

But what I loved most — besides the sheer rock & roll energy, and the double shot of nostalgia and current force — was the Obama subtext. Bruce turned down the Super Bowl before this. But then Obama won, and we know Bruce feels renewed by that, that he can once again sign on to where America is going. So now, just maybe, he agrees to do the Super Bowl, because now he’s thrilled to sign on to a mainstream American event.

And look at the last two song titles — “Working on a Dream” and “Glory Days.” The Obama era. When your guy is president, the Super Bowl doesn’t seem so empty anymore.

(I also sent these thoughts out with Twitter, in four quick tweets. Go here if you want to follow me.)

Filed Under: Uncategorized

Comments

  1. Dave Irwin says

    February 2, 2009 at 9:56 pm

    Makes sense to me!

Greg Sandow

Though I've been known for many years as a critic, most of my work these days involves the future of classical music -- defining classical music's problems, and finding solutions for them. Read More…

About The Blog

This started as a blog about the future of classical music, my specialty for many years. And largely the blog is still about that. But of course it gets involved with other things I do — composing music, and teaching at Juilliard (two courses, here … [Read More...]

Follow Us on FacebookFollow Us on TwitterFollow Us on RSS

Archives

@gsandow

Tweets by @gsandow

Resources

How to write a press release

As a footnote to my posts on classical music publicists, and how they could do better, here's a post I did in 2005 -- wow, 11 years ago! --  about how to make press releases better. My examples may seem fanciful, but on the other hand, they're almost … [Read More...]

The future of classical music

Here's a quick outline of what I think the future of classical music will be. Watch the blog for frequent updates! I Classical music is in trouble, and there are well-known reasons why. We have an aging audience, falling ticket sales, and — in part … [Read More...]

Timeline of the crisis

Here — to end my posts on the dates of the classical music crisis  — is a detailed crisis timeline. The information in it comes from many sources, including published reports, blog comments by people who saw the crisis develop in their professional … [Read More...]

Before the crisis

Yes, the classical music crisis, which some don't believe in, and others think has been going on forever. This is the third post in a series. In the first, I asked, innocently enough, how long the classical music crisis (which is so widely talked … [Read More...]

Four keys to the future

Here, as promised, are the key things we need to do, if we're going to give classical music a future. When I wrote this, I was thinking of people who present classical performances. But I think it applies to all of us — for instance, to people who … [Read More...]

Age of the audience

Conventional wisdom: the classical music audience has always been the age it is now. Here's evidence that it used to be much younger. … [Read More...]

Return to top of page

an ArtsJournal blog

This blog published under a Creative Commons license

Copyright © 2025 · Magazine Pro Theme on Genesis Framework · WordPress · Log in