[contextly_auto_sidebar id="lpJ1NjBTQ91gXSFAYVELC8izsXpf07Li"] WHY do folks in much of the rest of the post-industrial world – not just Europe but Canada and Australia and elsewhere – feel so much less anxiety about state funding of culture? I have my theories – some of which I explore in my book – but the issue continues to baffle me. Turns out that in the UK – a nation both very similar and … [Read more...]
The Inventiveness of Brad Mehldau, and Another Bookstore Down
[contextly_auto_sidebar id="XtxFdbJyLsCS5dQHdicsk1xjrReqe1hk"] LAST night, pianist Brad Mehldau and tenor saxophonist Joshua Redman played separate sets at Walt Disney Concert Hall in Los Angeles. These are perhaps the two leading jazz musicians of my generation, so there was no way I was going to miss it. While I would have loved to see these two, who've worked together in the past, play a … [Read more...]
Where Are Steinbeck’s Heirs? Literature and the Recession
[contextly_auto_sidebar id="7Ob2euleB2pS7V1InChacTlQDk4kH4s8"] ONE of the things that's most baffled and frustrated me over the last few years has been our collective inability or unwillingness to grapple with the recession and the growing crisis on inequality in a meaningful, imaginative way. Journalism has not done a great job, on the whole, and the movies have almost completely whiffed on … [Read more...]
The Roots of “Noah,” and More on San Diego Opera
[contextly_auto_sidebar id="C9NSdernwV8X41Rw5BV3m3kxC3W8iYky"] THE movie Noah was directed by one of the most talented filmmakers of my generation. He can also be one of the most erratic. I got to hang out a bit with Darren Aronofsky about a decade ago when he was following up his debut, Pi, with Requiem for Dream. He had a reputation even then for being difficult and stubborn, but he came across … [Read more...]
Remembering Mike Kelley, and an Inscrutable Indie Rocker
[contextly_auto_sidebar id="uhn6cUcVr5hepNR0gearR5lZEvN3qK1j"] MONDAY sees the opening of the Mike Kelley retrospective at the Museum of Contemporary Art in Los Angeles. The museum is only a few miles from where Kelley lives and worked. His work remains stirring and bitterly funny, and there was much good cheer from old friends and admirers excited to finally see so much work in the same place. … [Read more...]
What’s the Matter With San Diego, and a Deadly Impostor
[contextly_auto_sidebar id="uXOtZCit5zazXO6t0Ht1wwihD894I3a9"] EVEN in an arts world familiar with groups going belly-up, this one surprised people: The San Diego Opera's board voted last week to call it a day, effective at the end of the current season. No pleading with donors or subscribers to pitch in, no Chapter 11 filing, just an abrupt, "Closed For Business" sign. Now the group's … [Read more...]
Debating the Blue Note 100, and Music Streaming
[contextly_auto_sidebar id="46i5BmaPr0zmJefPqiMZ5JyjjVYvB11F"] THE jazz label Blue Note has announced plans to reissue 100 of its classic albums on remastered vinyl as part of its 75th anniversary celebration. I don't love everything Don Was has cooked up since taking over the label -- his emphasis on "branding" rather than improving and promoting the actual recordings and supporting the … [Read more...]
Happy Birthday, J.S. Bach, You Scary Bastard
[contextly_auto_sidebar id="fCuLD2IqdN12lY1YuMoXVQLgOFYy7oc1"] Since the exact date is ambiguous -- he was born sometime in late March of 1685 -- I've decided to declare today Bach's birthday. That gives me great pleasure; Bach was the first composer to hit me hard, and is still my favorite. It also frightens me, because of the way Bach's music is typically used in films to signify something … [Read more...]
Historical Documentary and “The Story of the Jews”
[contextly_auto_sidebar id="Jxeq7goyZFHTuT1NApP4ZsOM8ZKVKFcG"] TODAY I have a piece in the Los Angeles Times about a new documentary, commissioned by the BBC but playing in the US on PBS, The Story of the Jews with Simon Schama. (The first part broadcasts Tuesday night.) Schama, the British-born, Cambridge-educated historian who now teachers at Columbia, is likely known to many of my readers … [Read more...]
The Irreverent Genius of Jeremy Denk
[contextly_auto_sidebar id="W81pySFXa3drR3WTlrmSjqp0w13uJQpJ"] The classical pianist Jeremy Denk has just won the Avery Fisher Prize, which caps what's been a very good year or so for him. (He's working on a memoir for Random House, among other things.) I met Denk in 2010 and was immediately impressed with playing and thinking. (His commitment to Ives was palpable.) My story looks at his … [Read more...]