Mad Magazine + Tom Hayden = SDS

Who knew? I didn't. But that's what Tom Hayden reveals, give or take a few details, in a blurb for "Students for a Democratic Society, A Graphic History," a new book due out in January from Hill and Wang. "My own radical journey began with Mad Magazine," he says, "so it feels great that SDS should enter the culture of comic folklore ..."

OK, it's only a blurb. But I believe him. And in one of those perfect coincidences that border on the paranormal, Harvey Pekar and Paul Buhle, who collaborated on the book with others, will discuss comics and politics at The Graduate Center, CUNY, on Monday -- Dec. 10 -- which also marks International Human Rights Day and the culmination of this year's Amnesty International Global Write-a-Thon.

Pekar is best known for his comic book series "American Splendor." He's also the subject of the movie documentary with the same title. Buhle was the founding editor of the 1960s SDS magazine Radical America. They'll be joined in a panel discusion by Jeff Jones, an environmental activist who was a former SDS officer and one of the founders of the Weather Underground. Hayden won't be there, hélas.

(Crossposted at HuffPo)

Since Buhle and Pekar will be, here's some of what they say in the introduction to their graphic history:

[The book] is, finally, a series of stories from the life of a generation, ending where SDS peaked, at around eighty to a hundred thousand activists and followers. So much had happened so quickly around them, it was no surprise that many young radicals and quite a few conservatives imagined American society to be on the verge of some vast transformation. A significant chunk of SDSers joined and in some cases actually organized the women's liberation movement, the gay and lesbian movements, the environmental movement, and so on. These causes, still far from won almost a half century later, had been essentially invisible before the era of SDS. It is difficult for today's young people to conceptualize a society at once so self-satisfied and so deep in social conservatism, race sentiment, homophobia, environmental indifference, and the assumptions of fixed roles of the sexes, and just as difficult to imagine that all these issues were tackled almost simultaneously, and very largely by the young themselves.

Can't make it to the panel discussion? How about the SDS Comic Show? It's a traveling exhibit of all the graphics from the book, and free, too, in the Graduate Center lobby. Just walk in any time.

Wanna read more? Here's another excerpt from the intro (on view at the exhibit):

The Vietnam War was, of course, the central political issue of Students for a Democratic Society, as inevitable as its locus on the nation's campuses. The mystery of the rebellion unraveled in this book is that SDS and all its energies never resembled the specter that so many in powerful places and in lonely living rooms feared and pondered. If, according to polls conducted among them, a large segment of the student population considered itself somehow "revolutionary" by the peak years of 1968-70, it was not in the name of any revolution that had existed or would exist, perhaps any that could exist.

Some more samples from the exhibit and intro:

In our twenty-first century, the perspective has, of course, become very different. Not because the doddering radical veterans of that era have lived through so many years (and tears, and beers) and still remain part of the largest population bubble. Not because the structure of American society has changed in any fundamental way. Rather, it has to do with the sobering fact that just as the sixties generation is itself entering old age, its hard-won lessons seem to have reappeared.
Today the Empire has badly overreached again. Our political elite is once again in disarray. The current Iraqi conflict, raising the voices of the powerful against each other as never since the sixties, exposes the flawed logic of Empire. However different the nation has become in forty years, creativity still arguably blossoms best among youth, those who have the least stake in the existing rules of society.

The reasons that the 1960's have never quite gone out of common perspective is that the music, the cartoons and comics, the posters, the impulses, and the fears did not actually get old with the people who first lived them. The idea that any little group of saviors, self-avowed Weathermen or dogmatic Marxists, would lead America or the world into the promised land is over. Everyone in the Wal-Mart Nation knows better. But the crises didn't really go away, any more than did the urgent need and the simultaneous improbability of an inspired mass awakening to a better, more ecologically sound, more peaceful and cooperative, Age of Aquarius-like future.

You could spend a couple of hours just looking and reading. And shaking your head up, down and sideways.

December 4, 2007 12:24 PM |

Categories:

Me Elsewhere

'WILD SIDE' STILL ROCKS 

Nelson Algren was one of the great American authors of the 20th century, it is no exaggeration to say, and among the most neglected. Consider his underrated classic, "A Walk on the Wild Side." The title -- popularized and co-opted as an idiomatic phrase by Hollywood and Madison Avenue (institutions Algren loathed) -- is familiar to most anyone who speaks English or knows Lou Reed's lyrics. But the novel itself? Hardly.

BUSTER KEATON REVISITED 
Buster Keaton: Tempest in a Flat Hat is not a biography. "This book is merely a fan's notes," Edward McPherson writes in the introduction, although his publisher ignores the disclaimer and calls it a biography on the cover. In fact, the book is a bit of both, a difficult combination to bring off unless you're David Thomson, who set the standard with Rosebud, his penetrating rumination on the life and career of Orson Welles, which was nothing if not a distillation of every obsessive thought he ever had about the myth and the man and all his movies.
LAUREN BACALL, STILL SALTY AT 80 
When Lauren Bacall writes that her singing voice ranges "somewhere between B minus sharp and outer space," she's being candid and funny. It's not every stage star with two Tony Awards for best actress in a musical whose vocal talent offers so little promise. (OK, Harvey Fierstein excepted.) Still less would one admit it.
THE STARS ACCORDING TO BOGDANOVICH 
Peter Bogdanovich's superb collection of movie-star profiles and interviews -- a sequel to Who the Devil Made It, his interviews of top film directors -- begins with an affectionate tale about Orson Welles that reminds us just how intimate the author's connection to Hollywood's greatest has been. But contrary to what we've come to expect from dime-a-dozen celebrities and celebrity interviews not worth two cents, the tale avoids bromidic egotism and journalistic platitudes.
HERMAN WOUK'S LATEST 
It's hard to say which comes off worse in Herman Wouk's latest novel, his first in a decade: the U.S. Congress or the American press. "A Hole in Texas" offers the choice between two emblematic stereotypes: a red-faced opportunist who heads the House Armed Services Committee and a mustachioed investigative reporter for the Washington Post.
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