My “manifesto for the future of American classical music,” in the current issue of The American Scholar, attempts in 7,000 words to present a viable blueprint for change. My main point of reference is a contextualized performance of Shostakovich’s Leningrad Symphony last February by the South Dakota Symphony – which I write “may plausibly be considered the most … [Read more...] about “Shostakovich in South Dakota — A Manifesto for the Future of American Classical Music”
Search Results for: shostakovich in south dakota
“Shostakovich in South Dakota” on NPR — A New Template for Orchestras
My NPR “More than Music” program “Shostakovich in South Dakota” can now be accessed here. I document the impact of a remarkable contextualized performance of Shostakovich’s Leningrad Symphony by Delta David Gier and his singular South Dakota Symphony last February – and ponder its significance for the future of embattled American orchestras … [Read more...] about “Shostakovich in South Dakota” on NPR — A New Template for Orchestras
Shostakovich in South Dakota
I’m in Sioux Falls, where the South Dakota Symphony – to my knowledge, the most genuinely innovative American orchestra – is performing Shostakovich’s Seventh Symphony Saturday night at 7:30 pm Central Time. A 30-minute preamble (which I’ve scripted) explores the extraordinary context of this work. It’s all being livestreamed … [Read more...] about Shostakovich in South Dakota
Shostakovich: His Time Has Come (Alas)
Leonard Bernstein celebrated Dmitri Shostakovich’s sixtieth birthday by proclaiming him “an authentic genius” – “and there aren’t too many of those around anymore.” That took courage in 1966, when Shostakovich – the leading Soviet musician -- remained a Cold War cartoon of the stooge and simpleton. As Bernstein appreciated earlier than others, Shostakovich’s ultimate genius was … [Read more...] about Shostakovich: His Time Has Come (Alas)
Stravinsky, Elmer Fudd, and the South Dakota Symphony
The final NEH-funded, multi-media “Music Unwound” concert featuring the South Dakota Symphony took place last Saturday night. I cast myself in a cameo role, playing the Soldier in three excerpts from Stravinsky’s The Soldier’s Tale. I modelled my impersonation on Elmer Fudd. The main events, however, were Ravel’s Piano Concerto in G with Jean-Efflam Bavouzet and … [Read more...] about Stravinsky, Elmer Fudd, and the South Dakota Symphony





