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Unanswered Question

Joe Horowitz on music

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Why Did American Classical Music “Stay White”?

September 13, 2019 by Joe Horowitz 1 Comment

In 1893 Antonin Dvorak, teaching in New York City, predicted that a “great and noble school” of American classical music would arise from America’s “Negro melodies.” Dvorak’s prophecy was instantly controversial and influential. But the black musical motherlode migrated to popular genres known throughout the world. American classical music stayed white. The reasons are both … [Read more...] about Why Did American Classical Music “Stay White”?

What Happened Between Vladimir Horowitz and George Szell?

August 31, 2019 by Joe Horowitz 17 Comments

“As admirers of Horowitz’s musicianship and resilience, we must face these realities remembering that, in the end, he loaded his baggage onto his back and jogged across the finish line, smiling from ear to ear. Today, the weight of Horowitz’s baggage serves mainly to accentuate the magnitude of his ultimate triumph.” Thus Bernard Horowitz on Vladimir Horowitz. These two are … [Read more...] about What Happened Between Vladimir Horowitz and George Szell?

Busoni, Kandinsky, Schoenberg — Instinct at the Cusp

August 29, 2019 by Joe Horowitz 5 Comments

It’s a truism that, as aesthetic movements go, the visual arts get there first. Think of Impressionism, which didn’t begin to inflect music until Debussy and Ravel – decades after Monet. Expressionism is another matter: the synchrony is amazing. I am thinking of 1910: the year of Wassily Kandinsky’s first non-representational painting. Non-tonal music was simultaneously … [Read more...] about Busoni, Kandinsky, Schoenberg — Instinct at the Cusp

Harry Burleigh and Cultural Appropriation – Take Two

August 26, 2019 by Joe Horowitz 1 Comment

The annals of the Harlem Renaissance include heated debate over the practice of turning African-American spirituals into concert songs. Zora Neale Hurston Hurston heard concert spirituals “squeezing all of the rich black juice out of the songs,” a “flight from blackness,” a “musical octoroon.” She listed Harry Burleigh among the offenders. But without Burleigh … [Read more...] about Harry Burleigh and Cultural Appropriation – Take Two

“Heedlessly Controversial” — Remembering Oscar Levant

August 11, 2019 by Joe Horowitz Leave a Comment

Reviewing Sony Classical’s invaluable new Oscar Levant tribute in the current “Los Angeles Review of Books,” I write: “That Levant was what he seemed was doubtless a key to his appeal. His authenticity has never appeared more exceptional: no present-day mainstream media personality – not even our President -- is as heedlessly controversial as was Levant every time he opened his … [Read more...] about “Heedlessly Controversial” — Remembering Oscar Levant

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About Joe Horowitz

Joseph Horowitz is an award-winning author, concert producer, film-maker, broadcaster, and pianist/composer. He is one of the most prominent and widely published writers on topics in American music. As an orchestral administrator and advisor, he has been a pioneering force in the development of … [more] about Joseph Horowitz

About Unanswered Question

When a few years ago Doug McLennan invited me to write an ArtsJournal blog, I thought about it and said no. Having been born as long ago as 1948, I remain somewhat a stranger to the internet. And, as I am always writing a book (a form of therapy) when I am not producing concerts, I felt I didn't … [more] about The Unanswered Question

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