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Unanswered Question

Joe Horowitz on music

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Is Porgy a “Stereotype”? — Take Two

October 11, 2019 by Joe Horowitz Leave a Comment

Of the interesting emails I received in response to my American Scholar review of Porgy and Bess, the most informative was from a singer with considerable experience doing Porgy on stage. He wrote: “As challenging as it was for me to sing most of Porgy on a cart (the rest of the time I was on my knees), there is no substitute for singing and viewing the world from that … [Read more...] about Is Porgy a “Stereotype”? — Take Two

Why “Porgy and Bess” and the Met Need One Another

October 9, 2019 by Joe Horowitz Leave a Comment

To read my review of the Met’s new "Porgy and Bess," just posted online by "The American Scholar," click here. It begins: That the Metropolitan Opera has opened its season with a fresh production of George Gershwin’s Porgy and Bess is cause for celebration. The Met came late to black America when in 1955 it engaged Marian Anderson to sing Verdi—she was already 57 years … [Read more...] about Why “Porgy and Bess” and the Met Need One Another

Why Did American Classical Music “Stay White” — Take Two

September 21, 2019 by Joe Horowitz 1 Comment

Picking up on my American Scholar piece, Tom Huizenga of National Public Radio interviewed me about the fate of black classical music – and here is his interview. Our conversation was wide-reaching, and ultimately led to this exchange: Huizenga: Near the end of your essay, you write: "Might American classical music have canonized, in parallel with jazz, an 'American … [Read more...] about Why Did American Classical Music “Stay White” — Take Two

Why Did American Classical Music “Stay White”?

September 13, 2019 by Joe Horowitz 1 Comment

In 1893 Antonin Dvorak, teaching in New York City, predicted that a “great and noble school” of American classical music would arise from America’s “Negro melodies.” Dvorak’s prophecy was instantly controversial and influential. But the black musical motherlode migrated to popular genres known throughout the world. American classical music stayed white. The reasons are both … [Read more...] about Why Did American Classical Music “Stay White”?

What Happened Between Vladimir Horowitz and George Szell?

August 31, 2019 by Joe Horowitz 17 Comments

“As admirers of Horowitz’s musicianship and resilience, we must face these realities remembering that, in the end, he loaded his baggage onto his back and jogged across the finish line, smiling from ear to ear. Today, the weight of Horowitz’s baggage serves mainly to accentuate the magnitude of his ultimate triumph.” Thus Bernard Horowitz on Vladimir Horowitz. These two are … [Read more...] about What Happened Between Vladimir Horowitz and George Szell?

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About Joe Horowitz

Joseph Horowitz is an award-winning author, concert producer, film-maker, broadcaster, and pianist/composer. He is one of the most prominent and widely published writers on topics in American music. As an orchestral administrator and advisor, he has been a pioneering force in the development of … [more] about Joseph Horowitz

About Unanswered Question

When a few years ago Doug McLennan invited me to write an ArtsJournal blog, I thought about it and said no. Having been born as long ago as 1948, I remain somewhat a stranger to the internet. And, as I am always writing a book (a form of therapy) when I am not producing concerts, I felt I didn't … [more] about The Unanswered Question

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