https://youtu.be/3XM6wpfTv7c In 1944, Bernard Herrmann collaborated with the producer Norman Corwin on “Whitman,” a half-hour dramatic presentation invoking America’s iconic poet to rally the home front during World War II. It was heard by millions of listeners. It’s a classic exemplar of a forgotten creative genre: the radio drama.  The clip at the top of this column samples a moment of hypnotic eloquence: Herrmann’s treatment of Whitman’s famous meditation on the graveyard grass – witness to Civil War dead, young and old. This … [Read more...]

https://www.youtube.com/watch?v=D5ySpYLvhJE I was delighted today to join my friend Donato Cabrera for his latest “MusicWise” youtube show. We talked about Dvorak and Revueltas, about PostClassical Ensemble's “More than Music” films – and about my own professional odyssey, which I traced back to feeling “disillusioned” and “betrayed” as a young New York Times music critic in the 1970s.  After that, as I told Donato, I wrote Understanding Toscanini “as an act of therapy.” At the end of that once notorious book, I identified Harvey … [Read more...]

https://www.youtube.com/watch?v=RaxF5h7Ezcw&feature=youtu.be “I know there has been a lot of discussion about how we can make a difference by programing one African-American composition per concert,” says Lorenzo Candelaria, the incoming dean of Vanderbilt University’s Blair School of Music.   “I call that ‘checkbox diversity.’ What I’ve found to be far more impactful is to take a piece and really live with it for a while, sit with it, talk about it  -- contextualized programing. I’d think that would be a far … [Read more...]

In this weekend’s “Wall Street Journal” I review Alex Ross’s important new book “Wagnerism.” I write in part: Great works of art are so powerfully imagined that their intent and expression mold to changing human circumstances. But the operas of Richard Wagner are arguably unique in this regard: No other creative genius in the Western canon so unerringly holds up a mirror to time and place. . . . Thomas Mann’s claim that Wagner “was probably the greatest talent in the entire history of art” cannot be dismissed as hyperbole. Alex … [Read more...]

https://www.youtube.com/watch?v=PVh04MrsQUA Conrad L. Osborne, whose incisive critical scalpel cuts through present-day distractions and obfuscations with magnificent precision, has written another must-read blog: “The Racial Moment and Opera.” He begins by revisiting the memorable “Porgy Exchange” in this space – the PostClassical Ensemble zoom chat in which Conrad, George Shirley, and Kevin Deas opined that it makes artistic sense for gifted white baritones to undertake the demanding role of Porgy in Gershwin’s imperishable … [Read more...]

https://www.youtube.com/watch?v=2A54nZgKL1k&feature=youtu.be Advocating a more “civilized” United States – and simultaneously fighting a cultural Cold War -- John F. Kennedy implausibly proclaimed that only “free artists” functioning in “free societies” could produce important art. In the same breath, Kennedy denied the legitimacy of political art. Delivering words written by Arthur Schlesinger, he maintained: “If art is to nourish the roots of our culture, society must set the artist free to follow his vision wherever it takes him. … [Read more...]

https://open.spotify.com/episode/2w6j90rSmAb3EV3315LAFM?si=2jzD-Fs9QnaD7eb2kKF9bA Two summers ago I had occasion to spend a week with gifted high school musicians at the Brevard Music Festival – an idyllic cultural retreat in the mountains of North Carolina. Jason Posnock, Brevard’s artistic administrator, is not only a superb violinist but a reader and thinker and believer in humanities-infused programing and pedagogy. Thanks to Jason, I was entrusted with a multi-media Bernstein Centenary program that explored Bernstein’s thoughts … [Read more...]

https://www.youtube.com/watch?v=1gnQakMpj4g In his most important speech about the place of culture in the national experience, delivered at Amherst College mere weeks before his death, President John F. Kennedy said: “In free society art is not a weapon and it does not belong to the spheres of polemic and ideology. Artists are not ‘engineers of the soul.’ It may be different elsewhere. But democratic society -- in it, the highest duty of the writer, the composer, the artist is to remain true to himself and to let the chips fall where … [Read more...]

https://www.youtube.com/watch?v=eHRCgfFpP88&feature=youtu.be In 1987, my Understanding Toscanini was the most discussed, most reviled book about classical music to have appeared in recent memory. Its subtitle was “How He Became an American Culture-God and Helped Create a New Audience for Old Music.” I used Arturo Toscanini -- for decades, the most famous and influential classical musician in the US, hailed as a “priest of culture” and “prophet of enlightenment” – as an illustration and metaphor for the post-World War I failure … [Read more...]

https://www.youtube.com/watch?v=B3BQbAv_IJI Lawrence Tibbett sings Porgy (1935) Though a prominent British reviewer of what became the hit Met production of Porgy and Bess called Gershwin’s landmark 1935 opera “a period piece,” it loudly resounds today. Consider the first act confrontation between a white detective and a black community.  “Race is critical to Gershwin’s conception,” observes the Gershwin scholar Mark Clague in the most recent “PostClassical” webcast, pursuing a Gershwin thread originating with our film “The … [Read more...]